1 00:00:25,060 --> 00:00:26,390 WHITE MALE SHOWS THE CLERK OVER THERE 2 00:00:26,430 --> 00:00:27,930 A RECEIPT THROUGH THE GLASS DOOR. 3 00:00:27,970 --> 00:00:30,210 THE CLERK BUZZES HIM IN. RIGHT AWAY HE PULLS OUT A GUN, 4 00:00:30,230 --> 00:00:31,770 WHEN THE D. O. A. WALKS INTO IT FROM THE STORAGE ROOM. 5 00:00:31,800 --> 00:00:33,770 THEY STRUGGLE FOR THE GUN, THE PERP PLUGS HIM, 6 00:00:33,810 --> 00:00:35,910 TAKES THE MONEY, AND HE SPLITS. 7 00:00:35,940 --> 00:00:37,070 D.O.A. AN EMPLOYEE? 8 00:00:37,110 --> 00:00:38,110 NO. HE’S ONE OF THEIR VENDORS. 9 00:00:38,140 --> 00:00:39,270 THEY GOT VIDEO HERE? 10 00:00:39,310 --> 00:00:40,740 NO. 11 00:00:40,780 --> 00:00:42,640 GREG, CHECK OUT THE BODY. WE’LL TAKE THE CLERK. 12 00:00:45,150 --> 00:00:46,920 HI. I’M DETECTIVE DANNY SORENSON. 13 00:00:46,950 --> 00:00:48,550 THIS IS MY PARTNER ANDY SIPOWICZ. WHAT’S YOUR NAME? 14 00:00:48,590 --> 00:00:50,230 MOLLY WORTHY. 15 00:00:50,250 --> 00:00:52,390 WHAT CAN YOU TELL US ABOUT THE GUY WHO DID THIS, MOLLY, 16 00:00:52,420 --> 00:00:55,320 OTHER THAN WHITE MALE? MY EYES NEVER LEFT THAT GUN. 17 00:00:55,360 --> 00:00:57,090 YOUNG GUY? 18 00:00:57,130 --> 00:00:58,590 OLD ‐‐ LATE, UM, 30s. 19 00:00:58,630 --> 00:00:59,960 WHAT WAS HE WEARING? 20 00:01:00,000 --> 00:01:03,060 ALL I WAS LOOKING AT WAS THAT GUN. 21 00:01:03,100 --> 00:01:05,500 I DIDN’T SEE ANYTHING ELSE. 22 00:01:05,540 --> 00:01:07,010 THINK TO WHEN YOU SAW HIM OUTSIDE 23 00:01:07,040 --> 00:01:08,440 HOLDING THAT RECEIPT AGAINST THE WINDOW, 24 00:01:08,470 --> 00:01:09,940 NOT WHEN YOU BUZZED HIM IN. 25 00:01:09,970 --> 00:01:11,810 OKAY, HE WAS WEARING BLACK ‐‐ 26 00:01:11,840 --> 00:01:14,940 LIKE A BLACK TURTLENECK AND A JACKET. 27 00:01:14,980 --> 00:01:17,410 THE RECEIPT THE GUY SHOWED YOU TO COME IN ‐‐ 28 00:01:17,450 --> 00:01:19,510 DID HE MAYBE DROP IT ON THE FLOOR? 29 00:01:19,550 --> 00:01:20,950 I DON’T KNOW. 30 00:01:20,990 --> 00:01:22,830 COULD THIS HAVE BEEN IT? 31 00:01:22,850 --> 00:01:23,990 LOOKS LIKE IT. 32 00:01:26,220 --> 00:01:28,690 ALL RIGHT, YOU KNOW WHAT? YOU’VE BEEN THROUGH A LOT. 33 00:01:28,730 --> 00:01:30,770 WHY DON’T YOU TRY AND RELAX? 34 00:01:30,800 --> 00:01:32,640 WE’LL TALK TO YOU LATER. 35 00:01:32,660 --> 00:01:34,630 A RECEIPT FROM ONE OF THEM 36 00:01:34,670 --> 00:01:36,780 DAY CHARTER BUS TRIPS TO ATLANTIC CITY 37 00:01:36,800 --> 00:01:38,370 LEAVING AT 6:00 A. M. 38 00:01:38,400 --> 00:01:40,370 PLUS A NAME AND PHONE NUMBER WRITTEN ON IT. 39 00:01:40,400 --> 00:01:42,370 IS THAT CHAZ? THAT LOOKS LIKE A CELL PHONE NUMBER. 40 00:01:42,410 --> 00:01:43,880 WELL, CALL THIS CHAZ UP 41 00:01:43,910 --> 00:01:45,370 OR TRACE THE NUMBER AND BRING HIM IN? 42 00:01:45,410 --> 00:01:46,710 NO, BRING HIM IN. 43 00:01:46,750 --> 00:01:48,550 HE MIGHT BE THE PERP, OR AT LEAST IN ON IT. 44 00:01:48,580 --> 00:01:51,550 THAT WAS MY CHOICE, TOO. I WAS JUST TESTING YOU. 45 00:01:51,580 --> 00:01:52,610 YEAH? HOW DID I DO? 46 00:01:52,650 --> 00:01:53,780 YEAH, WELL, STICK WITH IT. 47 00:01:53,820 --> 00:01:55,050 YOU’LL MAKE A GOOD DETECTIVE SOMEDAY. 48 00:03:14,000 --> 00:03:15,730 THAT WAS DETECTIVE JONES AND MEDAVOY. 49 00:03:15,770 --> 00:03:17,410 THEY’RE EN ROUTE WITH THE MAN 50 00:03:17,440 --> 00:03:19,980 WHOSE NAME WAS ON THE SLIP OF PAPER AT THE CRIME SCENE. 51 00:03:20,000 --> 00:03:21,470 NOTIFY SIPOWICZ AND SORENSON. 52 00:03:21,510 --> 00:03:23,480 SEE IF THEY’VE FINISHED THE CANVASS. 53 00:03:23,510 --> 00:03:26,420 I’VE GOT A BIG PROBLEM. 54 00:03:26,440 --> 00:03:27,940 OH, THAT’S THIRD FLOOR. 55 00:03:27,980 --> 00:03:30,610 WE’RE SMALL TO MEDIUM PROBLEMS DOWN HERE. 56 00:03:31,820 --> 00:03:33,890 BUT WE’LL GIVE IT A SHOT. 57 00:03:33,920 --> 00:03:35,250 Diane: WHAT’S UP? 58 00:03:35,290 --> 00:03:38,100 I’M IN THE MIDDLE OF A RETRIAL CASE 59 00:03:38,120 --> 00:03:39,490 THAT’S BEEN DROPPED ON ME. 60 00:03:39,520 --> 00:03:41,590 DRUGS AND HOMICIDE FROM EIGHT YEARS AGO, 61 00:03:41,630 --> 00:03:43,600 AND I’VE GOT WITNESS PROBLEMS. 62 00:03:43,630 --> 00:03:44,760 IN THE WIND? 63 00:03:44,800 --> 00:03:46,270 YEAH. BOTH EYEWITNESSES. 64 00:03:46,300 --> 00:03:48,470 ONE OF THEM IS APPARENTLY BACK IN ECUADOR. 65 00:03:48,500 --> 00:03:50,970 THE OTHER ONE WAS SUPPOSED TO SHOW UP TODAY, BUT DIDN’T. 66 00:03:51,000 --> 00:03:52,970 WHEN DO YOU NEED THEM? 67 00:03:53,000 --> 00:03:54,470 TOMORROW. 9:00 A. M. 68 00:03:54,510 --> 00:03:56,820 HOW DID THIS GET TO BE AN EMERGENCY? 69 00:03:56,840 --> 00:03:58,810 MY INVESTIGATORS DROPPED THE BALL. 70 00:03:58,840 --> 00:04:00,280 WHAT CAN I SAY? 71 00:04:00,310 --> 00:04:01,980 WHEN WAS THE LAST TIME THEY HAD CONTACT? 72 00:04:02,010 --> 00:04:05,080 A WEEK AGO. WHY DID THE CASE COME BACK TO BEGIN WITH? 73 00:04:05,120 --> 00:04:07,090 IT WENT UP ON APPEAL AND WAS DENIED. 74 00:04:07,120 --> 00:04:09,080 THEN IT WENT UP ON A WRIT 75 00:04:09,120 --> 00:04:10,590 INVOLVING INEFFECTIVE COUNSEL, 76 00:04:10,620 --> 00:04:12,590 AND THEY GOT IT. THE DEFENDANT HAS MONEY. 77 00:04:12,620 --> 00:04:14,090 WHO IS HE? 78 00:04:14,130 --> 00:04:15,470 BILLY "FAT CAT" RICHARDS. 79 00:04:15,490 --> 00:04:17,590 HEARD OF HIM? 80 00:04:17,630 --> 00:04:20,500 HEAVY HITTER. HE STILL HAS A LOT OF PULL ON THE STREET. 81 00:04:20,530 --> 00:04:22,800 SO HE’S DONE EIGHT YEARS. WITNESS IS IN THE WIND. 82 00:04:22,830 --> 00:04:24,530 WHY NOT JUST DEAL IT OUT? 83 00:04:24,570 --> 00:04:27,140 THIS IS THE ONLY MURDER WE HAVE HIM ON, 84 00:04:27,170 --> 00:04:29,470 BUT THEY THINK HE’S RESPONSIBLE FOR OTHERS. SAFE BET. 85 00:04:29,510 --> 00:04:31,480 IT CAME FROM THIS SQUAD. 86 00:04:31,510 --> 00:04:33,470 SOME DETECTIVE NAMED MIKE ROBERTS CAUGHT IT. 87 00:04:33,510 --> 00:04:34,810 KNOW HIM? 88 00:04:34,850 --> 00:04:36,150 KNEW HIM. 89 00:04:36,180 --> 00:04:37,480 HE’S DEAD NOW. 90 00:04:37,520 --> 00:04:39,490 THE WITNESS HAS A SISTER ON THE JOB. 91 00:04:39,520 --> 00:04:41,960 WORKS ROLL CALL IN HIGHWAY 3 IN QUEENS. 92 00:04:41,990 --> 00:04:43,160 WHAT DID SHE HAVE TO SAY? 93 00:04:43,190 --> 00:04:45,300 NOTHING. COULDN’T HELP US. 94 00:04:45,320 --> 00:04:47,990 SO 9:00 A. M. TOMORROW, HUH? 95 00:04:48,030 --> 00:04:51,540 I’M SORRY, BUT, YOU KNOW, HERE WE ARE. 96 00:04:51,560 --> 00:04:54,200 OKAY. YOU GUYS RUN WITH IT. 97 00:04:54,230 --> 00:04:55,260 GOOD LUCK. 98 00:05:09,050 --> 00:05:10,360 HOW’S IT GOING, CHARLES? 99 00:05:10,380 --> 00:05:11,550 GOOD. THANKS. 100 00:05:13,050 --> 00:05:15,520 WHAT HAPPENED TO THE GUYS WHO BROUGHT ME OVER? 101 00:05:15,550 --> 00:05:17,350 Danny: THIS IS OUR CASE. 102 00:05:17,390 --> 00:05:20,820 GOTCHA, GOTCHA. SO, WHAT CAN I DO FOR YOU? 103 00:05:20,860 --> 00:05:23,320 YOU SEEM A LITTLE ILL AT EASE THERE, CHARLES. 104 00:05:23,360 --> 00:05:25,830 I DO? I‐I DON’T FEEL THAT WAY. 105 00:05:25,860 --> 00:05:28,560 YOU SURE ABOUT THAT? 106 00:05:32,140 --> 00:05:34,710 OKAY, ALL RIGHT. HE TOLD ME IT WASN’T HOT, 107 00:05:34,740 --> 00:05:37,210 BUT IN THE BACK OF MY MIND 108 00:05:37,240 --> 00:05:39,440 I THOUGHT IT PROBABLY MIGHT BE 109 00:05:39,480 --> 00:05:41,590 SINCE HE WAS FIRED FROM THERE A WEEK AGO, 110 00:05:41,610 --> 00:05:45,010 BUT, I MEAN, COME ON ‐‐ A BIG‐SCREEN TV FOR 200 BUCKS? 111 00:05:45,050 --> 00:05:47,220 IF IT WASN’T ME, HE HAD FIVE GUYS LINED UP 112 00:05:47,250 --> 00:05:48,750 WHO WERE GOING TO TAKE IT OFF HIS HANDS, 113 00:05:48,790 --> 00:05:52,260 BUT I’LL ABSOLUTELY GIVE IT BACK 114 00:05:52,290 --> 00:05:54,360 AND EAT THE $200 AND APOLOGIZE TO WHOEVER. 115 00:05:54,390 --> 00:05:56,590 ALL RIGHT, WE’LL DEAL WITH THAT LATER. 116 00:05:56,630 --> 00:05:59,060 THERE WAS A ROBBERY ON GRAND THIS MORNING 117 00:05:59,100 --> 00:06:01,740 AT A CLOTHING STORE. WHAT DO YOU KNOW ABOUT IT? 118 00:06:01,770 --> 00:06:03,740 NOTHING. 119 00:06:03,770 --> 00:06:06,230 AT THE CRIME SCENE, LEFT BEHIND WAS A NOTE 120 00:06:06,270 --> 00:06:07,770 WITH YOUR NAME AND YOUR CELL PHONE NUMBER ON IT. 121 00:06:07,810 --> 00:06:09,450 IS THIS RINGING ANY BELLS? 122 00:06:09,470 --> 00:06:11,970 NO. WHO CALLS YOU CHAZ? 123 00:06:12,010 --> 00:06:15,580 OH, THIS GUY NAMED JAY WHO RIDES MY BUS. 124 00:06:15,610 --> 00:06:17,910 I’M A CHARTER BUS DRIVER. 125 00:06:17,950 --> 00:06:20,420 HE TAKES MY 6:00 A.M. DOWN TO ATLANTIC CITY, 126 00:06:20,450 --> 00:06:22,420 LIKE, ONCE A MONTH OR SO. 127 00:06:22,450 --> 00:06:24,920 YOU ONLY KNOW HIM FROM THESE BUS RIDES? 128 00:06:24,960 --> 00:06:27,630 YEAH. HE SITS IN FRONT. TALKS THE WHOLE TIME. 129 00:06:27,660 --> 00:06:29,220 WHY DID YOU GIVE HIM YOUR CELL PHONE NUMBER? 130 00:06:29,260 --> 00:06:31,230 SOME BUSINESS DEAL INVESTMENT‐TYPE THING. 131 00:06:31,260 --> 00:06:34,730 I GAVE IT TO HIM JUST TO SHUT HIM UP. 132 00:06:34,770 --> 00:06:37,580 ALL THE TIME HE’S RUNNING HIS MOUTH, 133 00:06:37,600 --> 00:06:39,570 HE EVER MENTION A LAST NAME? WHERE HE LIVES? 134 00:06:39,600 --> 00:06:41,900 I JUST NOD MY HEAD HALF THE TIME, NOT HEARING A THING. 135 00:06:41,940 --> 00:06:43,400 WHAT’S JAY LOOK LIKE? 136 00:06:43,440 --> 00:06:45,940 WHITE GUY. BIG TALKER, LIKE I SAID. 137 00:06:45,980 --> 00:06:47,490 ALWAYS ON THE MAKE. 138 00:06:47,510 --> 00:06:49,480 OH, LIKE A MONTH OR SO AGO, 139 00:06:49,510 --> 00:06:52,280 I WAS FOLLOWING AN MTA BUS AND IT HIT A CAR, 140 00:06:52,320 --> 00:06:54,290 AND JAY ABOUT FLIPS OUT 141 00:06:54,320 --> 00:06:57,020 ’CAUSE HE RECOGNIZED THE DRIVER OF THE CAR, SO HE RAN OUT. 142 00:06:57,060 --> 00:06:59,530 SAID HE WAS GOING TO GET IN THE PASSENGER SEAT, 143 00:06:59,560 --> 00:07:01,960 FAKE SOME WHIPLASH, AND GET IN ON SOME INSURANCE MONEY. 144 00:07:01,990 --> 00:07:03,420 THAT TYPE OF GUY. 145 00:07:03,460 --> 00:07:05,160 WHERE WAS THIS? 146 00:07:05,200 --> 00:07:07,770 MUST HAVE BEEN ON PARK ‐‐ IN MIDTOWN. 147 00:07:07,800 --> 00:07:10,300 THE DRIVER OF THE MTA BUS WAS A BLACK WOMAN. 148 00:07:10,330 --> 00:07:12,800 YEAH, ’CAUSE I REMEMBER HER STANDING ON THE CURB CRYING 149 00:07:12,840 --> 00:07:15,310 LIKE SHE WAS GOING TO LOSE HER JOB OR SOMETHING. 150 00:07:15,340 --> 00:07:17,170 I’LL GET GREG AND BALDWIN ON THAT. 151 00:07:17,210 --> 00:07:20,140 ALL RIGHT, CHARLES, WE APPRECIATE YOUR HELP. 152 00:07:20,180 --> 00:07:23,850 AND THE BIG‐SCREEN TV? 153 00:07:23,880 --> 00:07:25,650 WHAT BIG‐SCREEN TV? 154 00:07:25,680 --> 00:07:27,980 SEE YOU. 155 00:07:33,830 --> 00:07:36,530 YOU GOT AN EXACT DATE? 156 00:07:36,560 --> 00:07:38,030 NO. A MONTH AGO. 157 00:07:38,060 --> 00:07:40,000 ON PARK... 158 00:07:40,030 --> 00:07:41,500 SOMEWHERE IN MIDTOWN, YOU SAID? 159 00:07:41,530 --> 00:07:42,830 THAT’S RIGHT. 160 00:07:42,870 --> 00:07:44,340 MAJOR DAMAGE, MINOR DAMAGE? 161 00:07:44,370 --> 00:07:45,830 WE DON’T KNOW. 162 00:07:45,870 --> 00:07:47,340 INJURIES? 163 00:07:47,370 --> 00:07:49,000 WE DON’T KNOW. 164 00:07:49,040 --> 00:07:51,370 NOTHING. ARE YOU SURE A REPORT WAS FILED? 165 00:07:51,410 --> 00:07:53,680 WE’RE SURE THERE WAS AN ACCIDENT. 166 00:07:53,710 --> 00:07:55,680 YEAH, WELL, UNLESS THERE WAS DAMAGE OR INJURIES, 167 00:07:55,710 --> 00:07:57,350 IT DON’T GENERATE PAPERWORK HERE. 168 00:07:57,380 --> 00:07:58,910 DON’T YOU KEEP A DAILY LOG OR SOMETHING? 169 00:07:58,950 --> 00:08:01,750 DAILY LOG? WHAT DO I LOOK LIKE ‐‐ CAPTAIN KIRK? 170 00:08:04,420 --> 00:08:06,520 HOW MANY FEMALE DRIVERS YOU GOT DRIVING ON PARK? 171 00:08:06,560 --> 00:08:07,760 WHAT, OFF THE TOP OF MY HEAD? 172 00:08:07,790 --> 00:08:10,560 NAH. OFF THE BOTTOM OF YOUR FEET. 173 00:08:11,600 --> 00:08:12,940 HOW MANY FEMALE DRIVERS? 174 00:08:15,130 --> 00:08:16,360 15, 20. 175 00:08:16,400 --> 00:08:17,870 ALL RIGHT, JUST GIVE US THEIR NAMES AND INFORMATION. 176 00:08:17,900 --> 00:08:19,500 NOW THAT I CAN GET FOR YOU. 177 00:08:19,540 --> 00:08:21,580 WELL, IT’S A GOOD THING I ASKED, HUH? 178 00:08:37,390 --> 00:08:38,690 MAY I HELP YOU? 179 00:08:38,720 --> 00:08:39,720 I’M KARA LOWELL. 180 00:08:39,760 --> 00:08:41,720 I GOT A NOTIFICATION TO RESPOND HERE. 181 00:08:41,760 --> 00:08:43,290 DIANE RUSSELL. 182 00:08:43,330 --> 00:08:44,970 HOW YOU DOING? 183 00:08:45,000 --> 00:08:46,200 MY PARTNER CONNIE McDOWELL. 184 00:08:46,230 --> 00:08:48,700 THIS IS KARA. HI, KARA. 185 00:08:48,730 --> 00:08:52,030 HEY. SO WHAT DO YOU NEED? 186 00:08:52,070 --> 00:08:54,200 WE’RE LOOKING FOR YOUR SISTER TISHA. 187 00:08:54,240 --> 00:08:55,740 I DON’T KNOW WHERE SHE IS. 188 00:08:55,770 --> 00:08:58,240 WHEN WAS THE LAST TIME YOU TALKED TO HER? 189 00:08:58,280 --> 00:09:00,750 MONTHS. AND WHERE WAS SHE LIVING THEN? 190 00:09:00,780 --> 00:09:02,640 NEW JERSEY. SHE MOVES AROUND A LOT. 191 00:09:02,680 --> 00:09:04,710 THE REASON WE’RE LOOKING FOR HER 192 00:09:04,750 --> 00:09:07,420 IS SHE’S SUPPOSED TO BE TESTIFYING HERE ON A RETRIAL. YEAH, I HEARD. 193 00:09:07,450 --> 00:09:10,050 YOU WOULDN’T HAPPEN TO BE COVERING FOR HER, WOULD YOU? 194 00:09:10,090 --> 00:09:12,420 NO. ’CAUSE WE COULD UNDERSTAND 195 00:09:12,460 --> 00:09:15,500 WHY YOU’D WANT TO IF YOU WERE. GOOD. 196 00:09:15,530 --> 00:09:18,000 BUT THIS IS A MURDER CASE. YEAH, I KNOW. 197 00:09:18,030 --> 00:09:21,000 I WENT THROUGH THE FIRST TRIAL WITH HER EIGHT YEARS AGO. 198 00:09:21,030 --> 00:09:22,400 I KNOW EVERYTHING ABOUT IT. 199 00:09:22,430 --> 00:09:24,330 WE’LL GET A MATERIAL WITNESS ORDER. 200 00:09:24,370 --> 00:09:27,340 WE’RE GOING TO DO WHAT WE HAVE TO TO FIND HER, KARA. 201 00:09:27,370 --> 00:09:29,270 LISTEN, WE’RE ALL ON THE SAME JOB, 202 00:09:29,310 --> 00:09:31,350 AND I’M NOT TRYING TO BE A BITCH HERE, 203 00:09:31,380 --> 00:09:32,920 BUT THIS IS MY SISTER, 204 00:09:32,940 --> 00:09:35,780 AND THE GUY SHE TESTIFIED AGAINST IS A BAD GUY. 205 00:09:35,810 --> 00:09:38,110 SHE CAME FORWARD VOLUNTARILY. 206 00:09:38,150 --> 00:09:41,120 I TOLD HER TO BACK WHEN I’D JUST STARTED ON THE JOB ‐‐ 207 00:09:41,150 --> 00:09:43,620 BEFORE I KNEW HOW THINGS REALLY WORK. 208 00:09:43,660 --> 00:09:46,600 WOULD YOU WANT YOUR SISTER INVOLVED? 209 00:09:46,630 --> 00:09:48,270 IF SHE HAD ALREADY COME FORWARD, 210 00:09:48,290 --> 00:09:50,530 I’D KNOW THERE WOULDN’T BE A CHOICE AT THIS POINT. 211 00:09:50,560 --> 00:09:55,130 I DON’T KNOW WHERE SHE IS. ANYTHING ELSE? 212 00:09:55,170 --> 00:09:56,840 I GUESS NOT. 213 00:10:05,810 --> 00:10:09,710 ANY OTHER WAY OF LOCATING HER? 214 00:10:09,750 --> 00:10:11,880 WE COULD PULL KARA’S PHONE RECORDS. 215 00:10:11,920 --> 00:10:13,560 THEN PULL THEM. 216 00:10:21,860 --> 00:10:24,730 ANTI‐CRIME HAS A PATTERN ON OUR PERP. 217 00:10:24,760 --> 00:10:26,530 FOUR TIMES THAT HAVE BEEN REPORTED. 218 00:10:26,570 --> 00:10:29,340 EACH ONE AT AN UPSCALE CLOTHING BOUTIQUE. SAME DRILL. 219 00:10:29,370 --> 00:10:31,510 HOLDS A RECEIPT, GETS BUZZED IN, CLEANS OUT THE REGISTER. 220 00:10:31,540 --> 00:10:33,580 TWO OF THE CLERKS SAID BEFORE HE LEFT, 221 00:10:33,610 --> 00:10:35,580 HE TOOK THEIR I. D., PUT HIS GUN IN THEIR FACE, 222 00:10:35,610 --> 00:10:37,480 AND SAID THAT HE KNEW WHERE THEY LIVE. 223 00:10:37,510 --> 00:10:38,670 HE WOULD COME BACK AND HE’D KILL THEM 224 00:10:38,710 --> 00:10:40,010 IF THEY EVER SAID ANYTHING. 225 00:10:40,040 --> 00:10:41,510 PROBABLY DID THE SAME THING TO THE OTHER TWO CLERKS. 226 00:10:41,550 --> 00:10:42,820 THEY’RE TOO SCARED TO ADMIT IT. 227 00:10:42,850 --> 00:10:44,820 AND THAT’S WHAT HE DID THIS MORNING, YOU THINK? 228 00:10:44,850 --> 00:10:46,350 YEAH. SHE WAS SCARED OUT OF HER MIND. 229 00:10:46,380 --> 00:10:48,550 WOULDN’T HARDLY GIVE US ANY PHYSICAL DESCRIPTION ON THE GUY. 230 00:10:48,590 --> 00:10:50,200 ANYBODY GET SHOT IN THESE OTHER ROBBERIES? 231 00:10:50,220 --> 00:10:51,590 NO. 232 00:10:51,620 --> 00:10:55,260 HOLD ON ONE SECOND, MA’AM. 233 00:10:55,290 --> 00:10:58,830 HELENA MORRIS. SHE HIT A CAR FIVE WEEKS AGO WITH A BUS. 234 00:10:58,860 --> 00:11:01,530 NO DAMAGE, BUT SHE KEPT A COPY OF THE ACCIDENT REPORT. 235 00:11:01,570 --> 00:11:03,340 WHERE DOES SHE LIVE? 236 00:11:03,370 --> 00:11:06,380 WHERE DO YOU LIVE, MA’AM? 237 00:11:09,040 --> 00:11:11,340 UM, SHE JUST MOVED, 238 00:11:11,380 --> 00:11:13,720 SO EVERYTHING IS STILL IN BOXES. 239 00:11:13,750 --> 00:11:15,220 TELL HER NO PROBLEM. 240 00:11:15,250 --> 00:11:19,190 THAT’S NO PROBLEM, MA’AM. WAIT, HOLD ON. 241 00:11:19,220 --> 00:11:21,130 SHE WANTS TO KNOW ‐‐ CAN WE COME TOMORROW? 242 00:11:21,150 --> 00:11:22,950 SHE’S THROWING A BIRTHDAY PARTY 243 00:11:22,990 --> 00:11:24,100 FOR HER 5‐YEAR‐OLD. 244 00:11:24,120 --> 00:11:25,750 WE’LL BE IN AND OUT IN FIVE MINUTES. 245 00:11:25,790 --> 00:11:27,520 SHE WON’T EVEN KNOW WE’RE THERE. 246 00:11:27,560 --> 00:11:31,060 UH... 247 00:11:31,100 --> 00:11:34,270 ACTUALLY, MA’AM, WE’RE ON OUR WAY. 248 00:11:46,340 --> 00:11:48,310 [ CHILD YELLS ] 249 00:11:48,350 --> 00:11:50,320 OKAY, I FOUND IT. 250 00:11:50,350 --> 00:11:52,810 OH, UH, THANKS. 251 00:11:52,850 --> 00:11:54,280 Y’ALL READY FOR SOME CAKE? 252 00:11:54,320 --> 00:11:57,450 [ YELLING ] 253 00:11:57,490 --> 00:11:59,720 ANYBODY LISTED AS A WITNESS? NO. 254 00:11:59,760 --> 00:12:00,990 DRIVER OF THE CAR LISTED? 255 00:12:01,030 --> 00:12:03,400 YEAH. SPENCE WEBBER, PLUS HIS ADDRESS. 256 00:12:03,430 --> 00:12:05,240 THE BUS DRIVER SAID THAT JAY KNEW HIM, RIGHT? 257 00:12:05,260 --> 00:12:07,560 I MEAN, THAT’S WHY HE TRIED TO GET IN ON IT. 258 00:12:07,600 --> 00:12:10,770 LET’S GET JONES AND MEDAVOY TO GO HIT UP ON THIS SPENCE. 259 00:12:10,800 --> 00:12:12,730 YEAH. MRS. MORRIS, CAN WE TAKE THIS WITH US, HUH? 260 00:12:12,770 --> 00:12:14,170 AND WE’LL GET IT BACK TO YOU. SURE. 261 00:12:16,270 --> 00:12:19,410 [ CRYING ] 262 00:12:19,440 --> 00:12:22,480 UM, SO, LISTEN, IF YOU GOT THINGS HANDLED, 263 00:12:22,510 --> 00:12:23,510 YOU KNOW, WE NEED TO TAKE OFF. 264 00:12:23,550 --> 00:12:25,280 YEAH. 265 00:12:25,320 --> 00:12:26,520 HEY, UH, HAPPY BIRTHDAY. 266 00:12:26,550 --> 00:12:28,250 YEAH, HAPPY BIRTHDAY. 267 00:12:28,290 --> 00:12:30,800 WE’RE GETTING READY TO SING "HAPPY BIRTHDAY." 268 00:12:30,820 --> 00:12:32,620 HERE WE GO. 269 00:12:42,000 --> 00:12:44,430 SAME DAMN ROOM, TOO. MY WORST NIGHTMARE RIGHT HERE ‐‐ 270 00:12:44,470 --> 00:12:48,000 MY WORST ‐‐ COMING BACK TO THIS PLACE. 271 00:12:48,040 --> 00:12:51,870 THIS ISN’T EXACTLY A KICK IN THE ASS FOR US, EITHER. 272 00:12:51,910 --> 00:12:55,180 RIGHT HERE. SAME TABLE THAT DETECTIVE ROBERTS WORKED ME, 273 00:12:55,210 --> 00:12:56,980 EVEN THOUGH I TOLD HIM I DIDN’T WANT TO GET INVOLVED. 274 00:12:57,020 --> 00:12:59,490 HAD MY SISTER CALL ME. TELL ME TO COOPERATE. 275 00:12:59,520 --> 00:13:01,630 "JUST LOOK AT SOME PHOTOS." NEXT THING ‐‐ I’M TESTIFYING. 276 00:13:01,650 --> 00:13:03,280 WELL, MAYBE IT’S SOME COMFORT 277 00:13:03,320 --> 00:13:05,790 KNOWING THE GUY YOU TESTIFIED AGAINST WENT AWAY FOR MURDER. 278 00:13:05,820 --> 00:13:08,290 THAT’S NO COMFORT. TWO THUGS SHOOTING AT EACH OTHER ‐‐ 279 00:13:08,330 --> 00:13:09,800 ONE OF THEM DYING. 280 00:13:09,830 --> 00:13:12,290 I COULD GIVE A DAMN, AND I HAD TO LEAVE NEW YORK ‐‐ 281 00:13:12,330 --> 00:13:14,800 CHANGE MY DAMN NAME BECAUSE OF ALL THIS. 282 00:13:14,830 --> 00:13:17,130 WE’RE SORRY THAT IT SHOOK OUT LIKE THIS, TISHA. 283 00:13:17,170 --> 00:13:18,970 MOST CASES DON’T GO THIS FAR. 284 00:13:19,000 --> 00:13:21,140 WELL, I AIN’T TESTIFYING AGAIN. I’VE DONE IT ONCE. 285 00:13:21,170 --> 00:13:23,340 SCREW Y’ALL IF YOU DIDN’T MAKE IT STICK THE FIRST TIME. 286 00:13:23,370 --> 00:13:26,340 WE NEED YOU TO, TISHA, AND YOU’RE GOING TO HAVE TO. 287 00:13:26,380 --> 00:13:28,420 I DON’T HAVE TO DO NOTHING. 288 00:13:28,450 --> 00:13:32,690 THIS IS MURDER. MURDER GETS HANDLED DIFFERENT. 289 00:13:32,720 --> 00:13:34,830 THEY’LL PUT YOU UP IN FRONT OF THE JUDGE, 290 00:13:34,850 --> 00:13:36,420 AND YOU’LL GET ASKED IF THIS IS WHAT YOU TESTIFIED TO 291 00:13:36,450 --> 00:13:38,190 EIGHT YEARS AGO, AND IF YOU DENY IT, 292 00:13:38,220 --> 00:13:39,350 YOU’LL GET RUNG UP FOR PERJURY. 293 00:13:41,730 --> 00:13:43,600 YOU DID US A FAVOR BY COMING FORWARD, 294 00:13:43,630 --> 00:13:45,030 AND WE DON’T WANT THIS TO TURN INTO SOMETHING, 295 00:13:45,060 --> 00:13:47,930 BUT WE WILL NOT LET THIS GUY GET AWAY WITH MURDER. 296 00:13:52,440 --> 00:13:55,010 YOU KNOW WHAT THE TITLE OF MY LIFE STORY IS GOING TO BE? 297 00:13:55,040 --> 00:13:57,770 "DON’T GET INVOLVED OR YOU’LL BE SORRY AS ALL HELL." 298 00:13:57,810 --> 00:14:00,540 YOU’RE MAKING THIS 10 TIMES HARDER THAN IT HAS TO BE. 299 00:14:00,580 --> 00:14:02,180 JUST GET YOUR TESTIMONY OVER WITH, 300 00:14:02,210 --> 00:14:03,680 HE GOES BACK TO JAIL, 301 00:14:03,720 --> 00:14:05,060 YOU GO BACK HOME. 302 00:14:05,080 --> 00:14:06,620 SO WHEN DO I GOT TO DO THIS? 303 00:14:06,650 --> 00:14:08,380 TOMORROW AT 9:00 A. M. 304 00:14:08,420 --> 00:14:11,450 SO I’LL MEET YOU BACK HERE AT, WHAT, 8:30? 305 00:14:12,660 --> 00:14:14,070 NOW WHAT KIND OF HOST WOULD WE BE 306 00:14:14,090 --> 00:14:15,860 IF WE INVITED YOU ALL THE WAY FROM JERSEY 307 00:14:15,890 --> 00:14:17,060 AND DIDN’T HANG OUT WITH YOU TONIGHT? 308 00:14:19,760 --> 00:14:20,660 ALL RIGHT. 309 00:14:23,900 --> 00:14:26,870 BUT I’M WITH YOU TWO. YOU’RE SMART ENOUGH TO FIND ME, 310 00:14:26,910 --> 00:14:29,450 YOU’RE SMART ENOUGH TO KEEP ME SAFE. 311 00:14:29,470 --> 00:14:31,140 ALL RIGHT. 312 00:14:38,580 --> 00:14:41,480 THE BUS DRIVER TOLD SORENSON 1‐F. 313 00:14:49,960 --> 00:14:51,430 Man: YEAH? 314 00:14:51,460 --> 00:14:53,600 YEAH, SPENCE WEBBER? 315 00:14:53,630 --> 00:14:55,630 YEAH? 316 00:14:55,670 --> 00:14:57,140 A MEDAVOY AND JONES 317 00:14:57,170 --> 00:14:59,800 FROM THE MTA REPARATION DEPARTMENT. 318 00:14:59,840 --> 00:15:01,000 YEAH? 319 00:15:01,040 --> 00:15:03,670 UM, WE UNDERSTAND THAT YOU WERE INVOLVED 320 00:15:03,710 --> 00:15:06,680 IN A COLLISION WITH AN MTA BUS A MONTH AGO. 321 00:15:06,710 --> 00:15:09,580 OKAY. 322 00:15:09,610 --> 00:15:14,020 WELL, WE’VE BEEN ASSIGNED TO ISSUE A SETTLEMENT CHECK. 323 00:15:14,050 --> 00:15:16,650 OH, HELL YEAH. HOW MUCH? 324 00:15:16,690 --> 00:15:19,120 CAN’T SAY. 325 00:15:19,160 --> 00:15:21,300 SEE, THE PROBLEM WE’RE ENCOUNTERING, SPENCE, 326 00:15:21,330 --> 00:15:24,200 IS THAT THERE WERE NO WITNESSES TO SUBSTANTIATE YOUR CLAIM 327 00:15:24,230 --> 00:15:25,290 OTHER THAN THE DRIVER, 328 00:15:25,330 --> 00:15:26,630 BUT SINCE SHE WORKS FOR THE MTA, 329 00:15:26,670 --> 00:15:29,470 SHE’S WHAT THEY CALL A COMPROMISED TESTIMONIAL, 330 00:15:29,500 --> 00:15:31,800 WHICH IS THEIR FANCY WAY OF SAYING 331 00:15:31,840 --> 00:15:33,850 THAT HER VERSION CAN’T BE USED. 332 00:15:33,870 --> 00:15:36,170 BUT MY BUDDY JAY WAS DRIVING WITH ME ‐‐ 333 00:15:36,210 --> 00:15:39,120 JASON BAZEDON. HE WAS RIDING SHOTGUN. 334 00:15:39,140 --> 00:15:40,340 HE’LL VOUCH ABSOLUTELY. 335 00:15:40,380 --> 00:15:42,140 YOU KNOW HOW WE CAN GET IN TOUCH WITH HIM? 336 00:15:42,180 --> 00:15:45,980 HELL, YES, I DO. I THINK HE JUST LEFT FOR ATLANTIC CITY. 337 00:15:46,020 --> 00:15:47,260 HE AIN’T BACK TILL TOMORROW, THOUGH. 338 00:15:48,750 --> 00:15:49,990 THAT’S FINE. 339 00:15:50,020 --> 00:15:52,150 OKAY, WAIT RIGHT HERE. I’LL BE RIGHT BACK. 340 00:15:52,190 --> 00:15:54,020 ALL RIGHT, WE’LL BE RIGHT HERE. 341 00:15:55,690 --> 00:15:58,590 [ WHISTLES ] 342 00:16:12,580 --> 00:16:14,520 SO WHAT’S THE PLAN FOR TOMORROW? 343 00:16:14,550 --> 00:16:17,090 UM, THE PERP IS IN ATLANTIC CITY. 344 00:16:17,120 --> 00:16:18,890 WE’LL SET UP ON HIS APARTMENT AT 6:00 A. M. 345 00:16:18,920 --> 00:16:20,160 AND WAIT FOR HIM. 346 00:16:20,180 --> 00:16:21,550 GOOD NIGHT, YOU GUYS. 347 00:16:21,590 --> 00:16:24,400 YOU SURE YOU DON’T WANT ME TO ARRANGE FOR A HOTEL? 348 00:16:24,420 --> 00:16:26,920 THIS IS WHAT SHE’S COMFORTABLE WITH. 349 00:16:26,960 --> 00:16:28,690 THE WITNESS WE’RE DELIVERING TOMORROW ‐‐ 350 00:16:28,730 --> 00:16:30,700 ME AND DIANE ARE KEEPING HER STASHED TONIGHT 351 00:16:30,730 --> 00:16:32,190 AT DIANE’S APARTMENT. 352 00:16:32,230 --> 00:16:33,700 BREAK OUT THE JIFFY POP. 353 00:16:33,730 --> 00:16:35,200 YEAH, DROP BY. 354 00:16:35,230 --> 00:16:37,030 WE’LL FRENCH BRAID EACH OTHER’S HAIR. 355 00:16:37,070 --> 00:16:40,500 HA HA. HERE’S THE PERP’S SHEET. 356 00:16:40,540 --> 00:16:43,200 IT’S A DECENT RECORD. VARIETY OF SCAMS. 357 00:16:43,240 --> 00:16:44,710 WEAPONS CHARGE. 358 00:16:44,740 --> 00:16:47,210 HE BEAT A MURDER RAP AT TRIAL TWO YEARS AGO. 359 00:16:47,250 --> 00:16:50,890 SO RUN A PHOTO ARRAY FOR TODAY’S CLERK. 360 00:16:50,920 --> 00:16:52,560 WE’D RATHER TRY AND FLIP THIS ASSHOLE 361 00:16:52,580 --> 00:16:53,880 WITHOUT GETTING HER IN THE MIDDLE. 362 00:16:53,920 --> 00:16:55,420 DEFINITELY. 363 00:16:55,450 --> 00:16:57,720 ALL RIGHT. GOOD NIGHT. 364 00:16:57,760 --> 00:16:58,900 GOOD NIGHT, BOSS. 365 00:16:58,920 --> 00:17:02,560 YEAH, GOOD NIGHT. 366 00:17:02,590 --> 00:17:05,760 NOW THIS IS MORE LIKE IT, HUH? 367 00:17:05,800 --> 00:17:06,940 HE ASKS US WHAT WE’RE GOING TO DO. 368 00:17:06,970 --> 00:17:08,740 WE TELL HIM WHAT WE’RE GOING TO DO. 369 00:17:08,770 --> 00:17:10,940 END OF CONVERSATION. 370 00:17:10,970 --> 00:17:13,600 ANDY, I GOT TO TALK TO YOU ABOUT SOMETHING. 371 00:17:13,640 --> 00:17:15,600 ALL RIGHT. 372 00:17:33,260 --> 00:17:34,530 WHY DON’T YOU JUST COME OUT WITH IT? 373 00:17:35,790 --> 00:17:37,830 I’M LOOKING INTO TRANSFERRING OUT OF HERE, 374 00:17:37,860 --> 00:17:39,430 AND OBVIOUSLY I WANTED YOU TO KNOW FIRST. 375 00:17:39,460 --> 00:17:41,260 WHAT HAPPENED? WHY? 376 00:17:41,300 --> 00:17:45,300 I THOUGHT I HAD A HANDLE ON THIS DIANE THING. 377 00:17:45,340 --> 00:17:47,250 BUT YOU DON’T. 378 00:17:47,270 --> 00:17:48,740 NO. I WAS OVER IT 379 00:17:48,770 --> 00:17:51,510 AS LONG AS SHE WASN’T SEEING ANYBODY ELSE, I GUESS. 380 00:17:51,540 --> 00:17:52,940 AND THAT’S EATING AT YOU. 381 00:17:52,980 --> 00:17:56,020 LAST NIGHT I WAS PARKED OUTSIDE OF HER APARTMENT BUILDING 382 00:17:56,050 --> 00:17:59,120 LOOKING UP AT HER WINDOW. WELL, THAT AIN’T GOOD. 383 00:17:59,150 --> 00:18:01,520 NO, AND THAT’S SOMETHING IF YOU’D HAVE TOLD ME 384 00:18:01,550 --> 00:18:02,820 SIX MONTHS AGO I’D HAVE BEEN DOING IT, 385 00:18:02,850 --> 00:18:04,490 I’D HAVE LAUGHED IN YOUR FACE. 386 00:18:04,520 --> 00:18:06,660 PARKED OUTSIDE HER APARTMENT IS ONE THING. 387 00:18:06,690 --> 00:18:08,790 KICKING IN HER DOOR, THAT’S ANOTHER. 388 00:18:08,830 --> 00:18:10,840 I’D NEVER DO SOMETHING LIKE THAT. 389 00:18:10,860 --> 00:18:12,360 THAT AIN’T FAR‐FETCHED. 390 00:18:12,400 --> 00:18:15,510 I KNOW GUYS THAT HAVE DONE IT OVER THE SAME DAMN THING. 391 00:18:15,530 --> 00:18:18,770 WHICH IS WHY I’VE BEEN THINKING I SHOULD TRANSFER OUT OF HERE. 392 00:18:18,800 --> 00:18:22,140 BEFORE YOU DO SOMETHING YOU’LL REGRET. 393 00:18:22,170 --> 00:18:24,140 I ALREADY REGRET WHAT I’VE DONE, 394 00:18:24,180 --> 00:18:26,480 AND I CAN’T IMAGINE WHAT I’D FEEL LIKE 395 00:18:26,510 --> 00:18:28,340 IF I DID SOMETHING WORSE. 396 00:18:31,350 --> 00:18:34,520 THEN, YEAH. 397 00:18:34,550 --> 00:18:36,890 MAYBE THAT’S SOMETHING YOU NEED TO CONSIDER. 398 00:18:36,920 --> 00:18:40,560 I’LL TELL THE BOSS TOMORROW, 399 00:18:40,590 --> 00:18:43,020 AND I’LL KEEP YOU POSTED. 400 00:18:43,060 --> 00:18:45,060 THANKS. 401 00:19:01,110 --> 00:19:04,480 TISHA, TRY AND RELAX. IT’S GOING TO BE ALL RIGHT. 402 00:19:04,520 --> 00:19:06,990 IT’S NOT THAT. IT’S BEING BACK IN NEW YORK. 403 00:19:07,020 --> 00:19:11,020 JUST BEING HERE MAKES ME WANT TO GET HIGH AGAIN. 404 00:19:11,060 --> 00:19:13,530 DID YOU KNOW THE GUY WHO GOT LOCKED UP? 405 00:19:13,560 --> 00:19:15,190 KIND OF. 406 00:19:15,230 --> 00:19:16,740 WAS HE YOUR DEALER? 407 00:19:16,760 --> 00:19:20,200 HE MOSTLY HAD FOOLS DEALING FOR HIM, BUT I KNEW HIM. 408 00:19:20,230 --> 00:19:22,760 WELL, YOU LEAVING THE CITY ‐‐ 409 00:19:22,800 --> 00:19:25,200 THAT SOUNDS LIKE MAYBE IT WAS A BLESSING IN DISGUISE. 410 00:19:25,240 --> 00:19:28,050 NO JOKE. I’D HAVE O. D.’d WITHIN A YEAR IF I STAYED, 411 00:19:28,070 --> 00:19:32,040 IF FAT CAT DIDN’T HAVE ME KILLED FIRST. 412 00:19:34,950 --> 00:19:38,020 IS THIS YOUR MAN? 413 00:19:38,050 --> 00:19:39,750 MY LATE HUSBAND. 414 00:19:39,780 --> 00:19:41,350 HOW LONG AGO DID HE DIE? 415 00:19:41,390 --> 00:19:43,090 TWO YEARS. 416 00:19:43,120 --> 00:19:44,920 AND YOU STILL GOT HIS PICTURE UP? 417 00:19:44,960 --> 00:19:48,200 ALL MY PEOPLE WHO HAVE DIED? I KEEP A SCRAPBOOK, 418 00:19:48,230 --> 00:19:49,740 AND I LOOK AT IT WHEN I NEED TO. 419 00:19:49,760 --> 00:19:51,560 NO WAY COULD I HAVE THEIR PICTURES UP. TOO HARD. 420 00:19:51,600 --> 00:19:53,740 EVERYONE HAS GOT THEIR WAY OF DOING IT. 421 00:19:53,770 --> 00:19:55,110 DID YOU LIVE HERE WITH HIM? 422 00:19:55,130 --> 00:19:56,400 YEAH. 423 00:19:56,430 --> 00:19:58,800 GIRL, MOVE. 424 00:19:58,840 --> 00:20:00,610 TISHA, HAS IT DAWNED ON YOU YET 425 00:20:00,640 --> 00:20:02,140 THIS MIGHT BE A SENSITIVE SUBJECT? 426 00:20:02,170 --> 00:20:03,400 YEAH, BUT SHE’S STILL GOT TO MOVE. 427 00:20:03,440 --> 00:20:05,240 NOTHING SAYS YOU GOT TO STAY IN ONE SPOT. 428 00:20:05,280 --> 00:20:07,550 THAT’S WHAT I THOUGHT WHEN THIS WHOLE THING WENT DOWN. 429 00:20:07,580 --> 00:20:09,910 IF I MOVE OUT OF NEW YORK, I’LL FALL APART, 430 00:20:09,950 --> 00:20:11,950 BUT THAT’S JUST YOUR FEARS TALKING. 431 00:20:11,980 --> 00:20:14,720 I APPRECIATE THE INSIGHT. 432 00:20:14,750 --> 00:20:16,250 YOU CAN FEEL IT. 433 00:20:16,290 --> 00:20:18,260 YOU’VE BEEN STUCK HERE TOO LONG. 434 00:20:18,290 --> 00:20:19,620 YOU NEED TO GET UP OUT OF THIS PLACE. 435 00:20:20,960 --> 00:20:24,330 EVERYBODY’S GOT AN OPINION, RIGHT? 436 00:20:24,360 --> 00:20:26,330 YEAH. 437 00:20:50,320 --> 00:20:51,990 GOOD MORNING, JOHN. MISS HAYWOOD. 438 00:20:52,020 --> 00:20:53,120 IS THE WITNESS HERE? 439 00:20:53,160 --> 00:20:54,630 UH, YEAH. SHE’S IN THE COFFEE ROOM. 440 00:20:54,660 --> 00:20:55,660 I’LL GET HER. 441 00:21:00,400 --> 00:21:02,260 THANK YOU FOR THIS. Diane: NO PROBLEM. 442 00:21:02,300 --> 00:21:03,260 YOU’RE TAKING HER TO COURT YOURSELF? 443 00:21:03,300 --> 00:21:05,300 NO. MY INVESTIGATORS ARE DOWNSTAIRS. 444 00:21:05,340 --> 00:21:06,950 THEY’RE A LITTLE EMBARRASSED 445 00:21:06,970 --> 00:21:08,340 WITH HAVING TO GET YOU GUYS INVOLVED. 446 00:21:08,370 --> 00:21:09,500 TELL THEM NOT TO WORRY ABOUT IT. 447 00:21:11,840 --> 00:21:14,140 TISHA, THIS IS A. D. A. VALERIE HAYWOOD. 448 00:21:14,180 --> 00:21:16,180 SHE’LL TAKE CARE OF YOU FROM HERE. 449 00:21:16,210 --> 00:21:18,010 NICE TO MEET YOU, TISHA. 450 00:21:18,050 --> 00:21:19,820 I REALLY APPRECIATE YOUR COOPERATION. 451 00:21:19,850 --> 00:21:21,450 AS QUICK AS YOU CAN MAKE IT, ALL RIGHT? 452 00:21:21,490 --> 00:21:23,660 ABSOLUTELY. 453 00:21:23,690 --> 00:21:26,150 NICE MEETING YOU. YOU, TOO. 454 00:21:26,190 --> 00:21:28,790 SEE YOU LATER. YOU’RE GOING TO BE FINE. 455 00:21:28,830 --> 00:21:31,340 REMEMBER WHAT I SAID. 456 00:21:31,360 --> 00:21:35,330 I’LL REMEMBER. 457 00:21:41,040 --> 00:21:44,240 COLORFUL HISTORY YOU GOT HERE, JASON. 458 00:21:44,280 --> 00:21:45,750 COLORFUL? 459 00:21:45,780 --> 00:21:48,020 YOU STARTED YOUNG. 460 00:21:48,050 --> 00:21:49,860 YES, SIR. UNFORTUNATELY, I DID. 461 00:21:49,880 --> 00:21:52,550 YOU BEAT A MURDER RAP AT TRIAL TWO YEARS AGO. 462 00:21:52,580 --> 00:21:54,520 I DON’T LIKE THE WORD "BEAT." 463 00:21:54,550 --> 00:21:56,550 IT MAKES IT SOUND LIKE I REALLY DID IT AND GOT OFF. 464 00:21:56,590 --> 00:21:59,560 NO. I TALKED TO THE DETECTIVE WHO INVESTIGATED THE CASE. 465 00:21:59,590 --> 00:22:01,220 YOU BEAT IT. 466 00:22:01,260 --> 00:22:03,220 DETECTIVE FLANNIGAN? 467 00:22:03,260 --> 00:22:05,390 I’M ASSUMING THAT’S WHO YOU’RE REFERRING TO. 468 00:22:05,430 --> 00:22:08,230 HE’S GOT HIS OPINION, AND I GOT MINE. 469 00:22:08,270 --> 00:22:10,280 WHAT WERE YOU DOING YESTERDAY MORNING, 470 00:22:10,300 --> 00:22:11,370 SAY, 10:00 A. M.? 471 00:22:11,400 --> 00:22:13,670 WALKING. PEOPLE‐WATCHING. 472 00:22:13,710 --> 00:22:15,080 WHEREABOUTS? 473 00:22:15,110 --> 00:22:17,680 ALL OVER. 474 00:22:17,710 --> 00:22:19,210 YOU GOT A JOB? 475 00:22:19,240 --> 00:22:22,010 NO. I’M BETWEEN JOBS. 476 00:22:22,050 --> 00:22:23,560 HOW DO YOU GET YOUR MONEY? 477 00:22:23,580 --> 00:22:27,750 LITTLE GIGS HERE AND THERE. ASK AND YE SHALL RECEIVE. 478 00:22:27,790 --> 00:22:29,190 THAT’S MY POLICY. 479 00:22:29,220 --> 00:22:32,020 I DON’T TRIP WHERE MY NEXT BUCK’S GONNA COME FROM, 480 00:22:32,060 --> 00:22:34,030 IT JUST ALWAYS DOES. 481 00:22:34,060 --> 00:22:36,730 YOU EVER DRIVEN TO CANADA, JASON? 482 00:22:36,760 --> 00:22:38,130 YEAH, ACTUALLY, I HAVE. 483 00:22:38,160 --> 00:22:39,460 REMEMBER DRIVING UP THERE ‐‐ 484 00:22:39,500 --> 00:22:41,110 GETTING READY TO CROSS THE BORDER 485 00:22:41,130 --> 00:22:42,730 THERE’S THAT LAST EXIT ‐‐ 486 00:22:42,770 --> 00:22:46,240 THAT LAST CHANCE THEY GIVE YOU TO STAY IN THE UNITED STATES? 487 00:22:46,270 --> 00:22:47,900 I DO REMEMBER. 488 00:22:47,940 --> 00:22:50,410 WE KNOW YOU ROBBED THAT CLOTHING STORE ON GRAND. 489 00:22:50,440 --> 00:22:51,640 WE KNOW YOU SHOT THAT GUY. 490 00:22:51,680 --> 00:22:52,920 WE GOT WITNESSES THAT PUT YOU THERE. 491 00:22:52,940 --> 00:22:55,910 THIS IS YOUR CHANCE RIGHT HERE TO COME CLEAN, 492 00:22:55,950 --> 00:22:58,260 AND WE’LL WORK ON HOW IT WAS A ROBBERY GONE BAD. 493 00:22:58,280 --> 00:23:00,250 IF YOU MAKE US ROUND UP THESE WITNESSES 494 00:23:00,280 --> 00:23:02,050 AND GO THROUGH ALL THIS PAPERWORK AND MAN‐HOURS 495 00:23:02,090 --> 00:23:04,060 PROVING WHAT WE ALREADY KNOW, 496 00:23:04,090 --> 00:23:06,090 THIS WHOLE THING IS GOING TO TURN ADVERSARIAL, 497 00:23:06,120 --> 00:23:07,990 AND IT’S GOING TO BE WORSE FOR YOU. 498 00:23:08,030 --> 00:23:10,600 I’LL BE HEADING INTO CANADA, IN OTHER WORDS. 499 00:23:10,630 --> 00:23:13,600 THIS IS YOUR CHANCE. MANY YEARS OF YOUR LIFE 500 00:23:13,630 --> 00:23:16,770 ARE GOING TO BE DECIDED BY YOU RIGHT NOW OR BY US LATER. 501 00:23:16,800 --> 00:23:19,270 DO YOU KNOW WHY I GOT INTO THAT JAM 502 00:23:19,300 --> 00:23:22,300 WITH THAT MURDER TWO YEARS AGO TO BEGIN WITH? 503 00:23:22,340 --> 00:23:24,070 WHY I ALMOST GOT SENTENCED FOR IT? 504 00:23:24,110 --> 00:23:26,170 BY TALKING TO DETECTIVES 505 00:23:26,210 --> 00:23:29,180 WHO ACTED LIKE THEY GAVE A DAMN ABOUT ME. 506 00:23:29,210 --> 00:23:32,280 NOW YOU WANT TO TALK ABOUT CANADA? FINE. 507 00:23:32,320 --> 00:23:34,690 I ACTUALLY HAVE SOME FUNNY STORIES TO SHARE ABOUT THAT, 508 00:23:34,720 --> 00:23:37,790 BUT AS FAR AS CRIMINAL ACTS I DID NOT DO... 509 00:23:37,820 --> 00:23:41,660 I GOT NOTHING TO SAY ABOUT NOTHING. 510 00:23:47,330 --> 00:23:49,800 DO WE LEAN ON HIM A LITTLE? 511 00:23:49,830 --> 00:23:52,270 NO. HE’S ONE OF THOSE GUYS WHO COULD TAKE THE BEATING. 512 00:23:52,300 --> 00:23:53,800 HE’D PROBABLY ENJOY IT. 513 00:23:53,840 --> 00:23:54,840 WE’RE GOING TO HAVE TO BRING IN 514 00:23:54,870 --> 00:23:55,870 THAT SALES CLERK FROM YESTERDAY. 515 00:23:55,910 --> 00:23:56,880 GET HER TO MAKE AN I. D. 516 00:23:56,910 --> 00:23:58,170 LOOK, CAN YOU TAKE CARE OF THAT? 517 00:23:58,210 --> 00:23:59,610 I GOT TO TALK TO THE LIEUTENANT 518 00:23:59,640 --> 00:24:00,540 ABOUT THAT THING. 519 00:24:01,850 --> 00:24:03,320 OKAY. 520 00:24:10,020 --> 00:24:11,890 YOU GOT A MINUTE? 521 00:24:11,920 --> 00:24:13,250 SURE. 522 00:24:16,530 --> 00:24:20,010 UM...I’M PUTTING IN FOR A TRANSFER. 523 00:24:20,030 --> 00:24:22,500 OBVIOUSLY, YOU’RE GOING TO HAVE TO SIGN IT, 524 00:24:22,530 --> 00:24:24,000 SO I’M GIVING YOU A HEADS‐UP. 525 00:24:24,040 --> 00:24:25,340 IS THIS ABOUT ME? 526 00:24:25,370 --> 00:24:26,500 NO, NOT AT ALL. 527 00:24:26,540 --> 00:24:28,080 YOU’RE A GREAT GUY. 528 00:24:28,110 --> 00:24:30,080 YOU’RE ALREADY A GREAT BOSS. 529 00:24:30,110 --> 00:24:31,070 ARE YOU GOING TO GIVE ME A CHANCE 530 00:24:31,110 --> 00:24:32,710 TO TALK YOU OUT OF IT? 531 00:24:32,740 --> 00:24:33,840 I MEAN, I’M NOT GOING TO LET A TOP DETECTIVE 532 00:24:33,880 --> 00:24:35,740 GET OUT OF MY SQUAD WITHOUT A FIGHT. 533 00:24:35,780 --> 00:24:37,480 NO, THIS IS A DONE DEAL. 534 00:24:37,520 --> 00:24:39,220 MIND IF I ASK WHY? 535 00:24:39,250 --> 00:24:42,350 PERSONAL REASONS, UM, NOTHING I WANT TO GET INTO. 536 00:24:44,290 --> 00:24:47,160 HOW ABOUT WE TALK OPENLY HERE FOR A MINUTE? 537 00:24:47,190 --> 00:24:48,660 I DON’T KNOW HOW OPEN I CAN BE, 538 00:24:48,690 --> 00:24:50,030 SEEING AS IT’S PERSONAL, 539 00:24:50,060 --> 00:24:52,030 AND I DON’T REALLY WANT TO GET INTO IT. 540 00:24:52,060 --> 00:24:55,000 FAIR ENOUGH. I’M NOT SURE IF THIS IS GOING 541 00:24:55,030 --> 00:24:57,400 TO AFFECT YOUR DECISION, BUT, UH, YOU SHOULD KNOW 542 00:24:57,440 --> 00:24:59,580 DIANE’S PUTTING IN FOR A TRANSFER AS WELL. 543 00:24:59,600 --> 00:25:01,370 WHEN DID THIS HAPPEN? 544 00:25:01,410 --> 00:25:03,650 THIS MORNING. 545 00:25:20,830 --> 00:25:23,640 I, UH, I GUESS WE SHOULD TALK. 546 00:25:23,660 --> 00:25:25,930 YEAH, WE PROBABLY SHOULD. 547 00:25:36,310 --> 00:25:38,980 YOU’RE TRANSFERRING OUT? 548 00:25:39,010 --> 00:25:40,410 YEAH, I AM. 549 00:25:40,440 --> 00:25:41,880 YOU DON’T NEED TO. 550 00:25:41,910 --> 00:25:44,410 ACTUALLY, I DO. 551 00:25:44,450 --> 00:25:45,750 NO, DIANE, THIS IS ON ME. 552 00:25:45,780 --> 00:25:47,380 NO, IT’S NOT, DANNY. 553 00:25:47,420 --> 00:25:49,380 IT IS. I THOUGHT I COULD HANDLE IT 554 00:25:49,420 --> 00:25:50,750 AND I CAN’T, 555 00:25:50,790 --> 00:25:52,890 AND WHATEVER VIBE THAT I’M PUTTING OUT THERE 556 00:25:52,920 --> 00:25:54,420 THAT’S MAKING YOU UNCOMFORTABLE, 557 00:25:54,460 --> 00:25:56,630 I APOLOGIZE FOR THAT. 558 00:25:56,660 --> 00:25:58,430 LET ME BE THE ONE TO LEAVE. 559 00:25:58,460 --> 00:26:00,160 YOU DON’T NEED TO DISRUPT YOUR LIFE. 560 00:26:00,200 --> 00:26:02,230 DANNY, I DO NEED TO DISRUPT IT. 561 00:26:02,270 --> 00:26:04,510 I NEED CHANGE. 562 00:26:04,540 --> 00:26:06,340 EVERYWHERE I LOOK IN THIS PLACE, 563 00:26:06,370 --> 00:26:09,340 I SEE THE PEOPLE AND THINGS THAT HOLD ME TO MY PAST 564 00:26:09,370 --> 00:26:11,840 AND...I NEEDED THAT FOR A LONG TIME, 565 00:26:11,880 --> 00:26:14,020 BUT NOW I HAVE A CHANCE TO MOVE FORWARD, 566 00:26:14,050 --> 00:26:16,490 SO I GOT TO TAKE THAT CHANCE. 567 00:26:16,510 --> 00:26:20,180 I‐I FEEL LIKE I DROVE YOU OUT OF HERE. 568 00:26:20,220 --> 00:26:23,180 NO. YOU DIDN’T. 569 00:26:23,220 --> 00:26:25,150 IT’S JUST TIME FOR ME TO LEAVE. 570 00:26:46,180 --> 00:26:49,790 WE HAVE A SUSPECT IN CUSTODY ON WHAT HAPPENED YESTERDAY. 571 00:26:49,810 --> 00:26:51,110 GREAT. 572 00:26:51,150 --> 00:26:53,450 RIGHT NOW WE’RE BUILDING A CASE AGAINST HIM. 573 00:26:53,480 --> 00:26:54,720 OKAY. 574 00:26:54,750 --> 00:26:57,050 ONE OF THE THINGS THAT WE NEED TO PUT THIS GUY AWAY 575 00:26:57,090 --> 00:26:58,820 FOR KILLING THAT MAN IN YOUR STORE 576 00:26:58,860 --> 00:27:00,530 IS A POSITIVE I. D. 577 00:27:00,560 --> 00:27:02,020 FROM WHO? 578 00:27:02,060 --> 00:27:03,320 FROM YOU. 579 00:27:03,360 --> 00:27:06,530 I‐I DIDN’T GET A GOOD LOOK AT HIM. 580 00:27:06,570 --> 00:27:08,510 UH, MOLLY, AHEM, 581 00:27:08,530 --> 00:27:11,170 WE RAN THIS GUY’S RECORD AND A PATTERN CAME UP 582 00:27:11,200 --> 00:27:12,570 AS FAR AS HOW HE DOES HIS STICKUPS. 583 00:27:12,600 --> 00:27:15,000 NOW WE KNOW, BASED ON WHAT HE’S DONE BEFORE, 584 00:27:15,040 --> 00:27:16,670 THAT HE MUST HAVE THREATENED YOU. 585 00:27:16,710 --> 00:27:18,170 DID HE TAKE YOUR I. D. 586 00:27:18,210 --> 00:27:20,180 AND SAY HE KNEW WHERE YOU LIVED? 587 00:27:20,210 --> 00:27:21,840 I REALLY DON’T WANT TO GET INVOLVED. 588 00:27:21,880 --> 00:27:24,510 WELL, LOOK AT THESE PHOTOS AND SEE IF YOU CAN SPOT HIM. 589 00:27:24,550 --> 00:27:26,650 UH, THAT WAY WE’RE SURE WE’RE DEALING WITH THE RIGHT GUY 590 00:27:26,690 --> 00:27:28,930 AND WE CAN GO AT HIM AND GET A CONFESSION 591 00:27:28,950 --> 00:27:31,190 AND YOU DON’T HAVE TO WORRY ABOUT NOTHING. 592 00:27:33,890 --> 00:27:36,520 HE SAID HE’D KILL ME. 593 00:27:36,560 --> 00:27:37,830 HE’S A COWARD. 594 00:27:37,860 --> 00:27:39,030 JUST GIVE US A LITTLE HELP, MOLLY, 595 00:27:39,060 --> 00:27:40,200 SO WE CAN PUT HIM AWAY 596 00:27:40,230 --> 00:27:41,830 AND MAKE SURE HE DOESN’T DO THIS AGAIN. 597 00:27:41,870 --> 00:27:43,910 THEN I CAN GO HOME? SURE. 598 00:27:52,640 --> 00:27:55,610 HIM. 599 00:28:00,280 --> 00:28:03,120 IT, UH, IT JUST CAME TOGETHER REALLY CLEARLY IN MY HEAD. 600 00:28:03,150 --> 00:28:05,120 IT’S A GOOD MOVE. START FRESH. 601 00:28:05,160 --> 00:28:06,630 THAT’S EXACTLY IT. 602 00:28:06,660 --> 00:28:09,190 HOPEFULLY, A SPOT WILL OPEN UP SOMEWHERE SOON. 603 00:28:09,230 --> 00:28:11,040 TRANSFERS CAN TAKE A WHILE TO GO THROUGH ‐‐ 604 00:28:11,060 --> 00:28:12,890 A WEEK, SOMETIMES A YEAR. 605 00:28:12,930 --> 00:28:14,900 YEAH, BUT I’M GOING TO PULL, UH, 606 00:28:14,930 --> 00:28:17,400 WHATEVER FAVORS I GOT TO MAKE IT HAPPEN. 607 00:28:17,440 --> 00:28:19,240 IF YOU WANT TO MAKE A CHANGE SOONER THAN LATER, 608 00:28:19,270 --> 00:28:21,070 HAVE YOU THOUGHT ABOUT JUST TAKING 609 00:28:21,110 --> 00:28:22,910 A HARDSHIP LEAVE OF ABSENCE? 610 00:28:22,940 --> 00:28:24,410 NO. NO, I HAVEN’T. 611 00:28:24,440 --> 00:28:26,880 DID YOU TAKE ONE WHEN BOBBY DIED? 612 00:28:26,910 --> 00:28:28,410 NO. WORKING WAS ALWAYS 613 00:28:28,450 --> 00:28:30,760 WHAT GOT ME THROUGH THE WORST DAYS. 614 00:28:30,780 --> 00:28:32,410 STILL FEEL THAT WAY? 615 00:28:32,450 --> 00:28:33,880 NO. 616 00:28:33,920 --> 00:28:35,720 LEAVES OF ABSENCE ARE MEANT 617 00:28:35,750 --> 00:28:38,550 FOR PEOPLE TO STRAIGHTEN OUT SITUATIONS IN THEIR LIVES. 618 00:28:38,590 --> 00:28:40,420 THIS WAS TWO YEARS AGO. 619 00:28:40,460 --> 00:28:42,420 TELL THEM YOU DIDN’T GET IT BEHIND YOU 620 00:28:42,460 --> 00:28:43,930 AND YOU NEED TIME NOW. 621 00:28:43,960 --> 00:28:45,590 BOBBY WAS ON THE JOB. 622 00:28:45,630 --> 00:28:48,660 THERE’S NOBODY GOING TO TURN THAT DOWN. 623 00:28:48,700 --> 00:28:50,270 CAN YOU AFFORD IT? 624 00:28:50,300 --> 00:28:51,930 YEAH, WHEN, UH, BOBBY DIED ‐‐ 625 00:28:51,970 --> 00:28:53,600 THE UNION INSURANCE. 626 00:28:53,640 --> 00:28:55,570 SO MAYBE YOU PUT IN FOR A YEAR, 627 00:28:55,610 --> 00:28:57,080 SEE HOW YOU FEEL. 628 00:28:57,110 --> 00:28:59,240 EITHER WAY, YOU CAN COME BACK AS QUICK AS YOU WANT. 629 00:28:59,280 --> 00:29:01,520 IF IT’S A WEEK FROM NOW, IT’S A PHONE CALL, 630 00:29:01,550 --> 00:29:04,920 AND YOU’RE BACK ON THE JOB. 631 00:29:04,950 --> 00:29:06,680 IT’S SOMETHING TO THINK ABOUT. 632 00:29:06,720 --> 00:29:08,420 I’VE BEEN THINKING ABOUT IT. 633 00:29:08,450 --> 00:29:10,350 I’M TIRED OF THINKING ABOUT IT. 634 00:29:10,390 --> 00:29:11,750 THIS SOUNDS GOOD. 635 00:29:11,790 --> 00:29:14,620 THIS COULD GO INTO EFFECT... 636 00:29:14,660 --> 00:29:16,790 MINE TOOK TWO DAYS TO PROCESS. 637 00:29:16,830 --> 00:29:18,930 WHEN DID YOU TAKE A LEAVE? 638 00:29:18,960 --> 00:29:20,630 WHEN MY DAD DIED. 639 00:29:20,670 --> 00:29:23,610 SORRY TO HEAR THAT. WAS HE ON THE JOB? 640 00:29:23,640 --> 00:29:25,710 HE WAS A CHIEF OF POLICE 641 00:29:25,740 --> 00:29:27,450 UPSTATE ‐‐ SARATOGA SPRINGS. 642 00:29:27,470 --> 00:29:29,440 HOW LONG DID YOU TAKE OFF? 643 00:29:29,470 --> 00:29:30,610 SIX MONTHS. 644 00:29:30,640 --> 00:29:32,140 [ KNOCK ON DOOR ] 645 00:29:32,180 --> 00:29:33,990 COME ON IN. 646 00:29:34,010 --> 00:29:36,340 A.D.A. HAYWOOD CALLED. THEY LOST THE WITNESS. 647 00:29:36,380 --> 00:29:38,450 TISHA? FROM THIS MORNING? 648 00:29:38,480 --> 00:29:40,780 ONE OF THE DEFENSE LAWYERS HAD FOOD POISONING, 649 00:29:40,820 --> 00:29:42,320 SO THEY GOT A CONTINUANCE FOR THE DAY 650 00:29:42,350 --> 00:29:43,650 AND SHE WAS DEALING WITH THAT 651 00:29:43,690 --> 00:29:45,320 AND THEY LEFT TISHA ALONE FOR A MINUTE 652 00:29:45,360 --> 00:29:46,670 AND SHE TOOK OFF. 653 00:29:46,690 --> 00:29:48,720 UH, UH, SHE ASKED I‐IF YOU’D KNOW 654 00:29:48,760 --> 00:29:50,730 WHERE TO LOOK FOR HER. 655 00:29:50,760 --> 00:29:52,730 HER SISTER, HER OLD SPOTS... 656 00:29:52,760 --> 00:29:55,230 I MEAN, OUR GUESS IS AS GOOD AS ANYBODY ELSE’S. 657 00:29:55,270 --> 00:29:56,880 SHE’S GOING TO CALL BACK. 658 00:29:56,900 --> 00:29:59,200 TELL HER WE’RE HEADING DOWN THERE. 659 00:30:01,340 --> 00:30:04,010 DID HE MAKE ANY NOISE ABOUT LAWYERING UP? 660 00:30:04,040 --> 00:30:06,510 NOT YET, BUT HE BEAT A MURDER RAP TWO YEARS AGO. 661 00:30:06,550 --> 00:30:08,320 SO HE KNOWS HOW IT WORKS. 662 00:30:08,350 --> 00:30:09,820 [ DOOR OPENS ] 663 00:30:09,850 --> 00:30:11,480 DID HE FLIP? 664 00:30:11,520 --> 00:30:13,090 NO. 665 00:30:15,590 --> 00:30:17,230 SO WHAT’S THE NEXT STEP? 666 00:30:17,260 --> 00:30:19,730 WE GOT TO BRING THE CLERK BACK FOR A LINEUP. 667 00:30:19,760 --> 00:30:21,560 SEE IF THAT GETS HIM TO GO. 668 00:30:21,590 --> 00:30:23,990 SO NOW SHE’S LOCKED IN FOR THE WHOLE RIDE. 669 00:30:24,030 --> 00:30:27,400 YEAH. SHE’LL BE THRILLED. 670 00:30:40,210 --> 00:30:41,480 [ DOOR OPENS ] 671 00:30:43,480 --> 00:30:45,850 NOW, REMEMBER THEY CAN’T SEE US. 672 00:30:45,880 --> 00:30:48,020 JUST POINT HIM OUT IF YOU RECOGNIZE HIM 673 00:30:48,050 --> 00:30:49,420 AND WE’RE OUT OF HERE. 674 00:30:49,450 --> 00:30:51,620 AND THEN THAT’S IT, RIGHT? 675 00:30:51,660 --> 00:30:53,030 YEAH, ONCE WE GET A POSITIVE I. D., 676 00:30:53,060 --> 00:30:54,530 WE GOT HIM IN A STRANGLEHOLD. 677 00:30:54,560 --> 00:30:56,190 I STILL DON’T UNDERSTAND WHY I HAVE TO DO THIS. 678 00:30:56,230 --> 00:30:57,600 I ALREADY IDENTIFIED HIM. 679 00:30:57,630 --> 00:31:00,630 THIS IS THE OFFICIAL I.D. THIS IS THE LINEUP. 680 00:31:00,670 --> 00:31:03,610 THIS IS WHEN WE REALLY BOX HIM IN. 681 00:31:10,240 --> 00:31:13,710 NUMBER 3. 682 00:31:13,750 --> 00:31:15,220 HOW’S THAT FOR QUICK? 683 00:31:15,250 --> 00:31:17,320 EVERYBODY BUT NUMBER 3 CAN GO. 684 00:31:17,350 --> 00:31:19,820 LET’S GO WAIT IN THE COFFEE ROOM. FOR WHAT? 685 00:31:19,850 --> 00:31:21,380 WE’RE GOING TO SEE WHAT HE’S GOT TO SAY 686 00:31:21,420 --> 00:31:24,290 NOW THAT HE’S BEEN PICKED OUT OF A LINEUP ‐‐ COME ON. 687 00:31:26,760 --> 00:31:29,760 YOU GUYS SHOULD TAKE A SHOT. WE ALREADY TRIED TWICE. 688 00:31:29,790 --> 00:31:31,930 YOU GOT IT. WE GOT TO FLIP THIS GUY. 689 00:31:31,960 --> 00:31:33,490 OKAY. 690 00:31:33,530 --> 00:31:35,260 NEXT TIME I TELL HER THAT SHE CAN GO HOME FOR GOOD, 691 00:31:35,300 --> 00:31:37,770 I WANT TO MEAN IT. 692 00:31:45,040 --> 00:31:47,010 JASON BAZEDON? 693 00:31:47,050 --> 00:31:48,520 YEP. 694 00:31:48,550 --> 00:31:50,520 DETECTIVES MEDAVOY AND JONES. 695 00:31:50,550 --> 00:31:52,850 EITHER ‐‐ EITHER SOMEBODY’S CONFUSED HERE 696 00:31:52,880 --> 00:31:55,780 OR, UH, THOSE TWO DETECTIVES DIDN’T DO THEIR JOB 697 00:31:55,820 --> 00:31:58,190 WHICH, BETWEEN YOU AND ME, WOULDN’T BE THE FIRST TIME. 698 00:31:58,220 --> 00:32:00,620 DID THEY TELL YOU WHAT’S GOING ON HERE? 699 00:32:00,660 --> 00:32:02,620 SOMETHING ABOUT SOMEBODY GETTING KILLED, 700 00:32:02,660 --> 00:32:05,290 WHICH I’VE STATED REPEATEDLY I KNOW NOTHING ABOUT. 701 00:32:05,330 --> 00:32:07,130 WERE YOU INFORMED BY THE OTHER DETECTIVES 702 00:32:07,170 --> 00:32:08,770 THAT YOU’VE JUST BEEN PICKED OUT? 703 00:32:08,800 --> 00:32:09,830 NO. 704 00:32:09,870 --> 00:32:11,330 [ SIGHS ] 705 00:32:11,370 --> 00:32:12,830 OKAY, WELL, THEN, UH, 706 00:32:12,870 --> 00:32:15,700 WE’RE HERE TO LET YOU KNOW THAT. 707 00:32:15,740 --> 00:32:18,770 DOESN’T MEAN I DID ANYTHING. 708 00:32:18,810 --> 00:32:20,880 DID THOSE OTHER DETECTIVES, UH, POINT OUT 709 00:32:20,910 --> 00:32:22,640 HOW YOU COULD HELP YOURSELF 710 00:32:22,680 --> 00:32:24,480 BY TALKING ABOUT THE CRIME, 711 00:32:24,520 --> 00:32:26,490 ESPECIALLY NOW THAT YOU’VE BEEN I. D.’d? 712 00:32:26,520 --> 00:32:28,160 THEY MENTIONED IT, 713 00:32:28,190 --> 00:32:30,730 BUT, LIKE I SAID, I DIDN’T DO ANYTHING, 714 00:32:30,760 --> 00:32:33,230 SO IT KIND OF FELL ON DEAF EARS. 715 00:32:33,260 --> 00:32:34,630 OKAY, THEN, UH, 716 00:32:34,660 --> 00:32:36,630 IT WAS ME WHO WAS CONFUSED. 717 00:32:36,660 --> 00:32:38,330 WE’VE, UH, 718 00:32:38,360 --> 00:32:40,360 WE’VE HAD COMPLAINTS FROM PEOPLE WHO SAID 719 00:32:40,400 --> 00:32:42,960 SOME DETECTIVES HAVE FAILED TO PROPERLY POINT OUT 720 00:32:43,000 --> 00:32:44,800 THE ADVANTAGES OF GETTING IN FRONT OF A CASE. 721 00:32:44,840 --> 00:32:46,680 WE WERE TOLD BY OUR BOSS TO COME 722 00:32:46,710 --> 00:32:48,180 AND MAKE SURE YOU DID KNOW THAT 723 00:32:48,210 --> 00:32:50,520 SINCE THIS IS GOING TO THE GRAND JURY TOMORROW. 724 00:32:50,540 --> 00:32:52,840 NOW, IF YOU WANT TO TALK, WE COULD TALK. 725 00:32:52,880 --> 00:32:55,350 THIS ISN’T ABOUT WHAT’S GOOD FOR ME, 726 00:32:55,380 --> 00:32:56,910 IT’S WHAT’S GOOD FOR YOU. 727 00:32:56,950 --> 00:32:59,680 WHAT, POSSIBLY SHAVING 10 YEARS 728 00:32:59,720 --> 00:33:01,420 OFF A CRIME YOU WILL GET RUNG UP FOR? 729 00:33:01,450 --> 00:33:02,520 HOW’S THAT NOT GOOD FOR YOU? 730 00:33:02,550 --> 00:33:03,920 THAT’S WHAT THE DETECTIVES SAID 731 00:33:03,960 --> 00:33:05,830 WHEN I WAS UP ON A MURDER CHARGE A COUPLE YEARS AGO 732 00:33:05,860 --> 00:33:08,030 AND TALKING TO THEM ALMOST GOT ME PUT AWAY. 733 00:33:08,060 --> 00:33:10,830 WE LOOKED INTO THAT CASE. THAT WAS ALL CIRCUMSTANTIAL. 734 00:33:10,860 --> 00:33:12,490 YOU’VE BEEN I. D.’d IN THIS ONE. 735 00:33:12,530 --> 00:33:13,860 THIS IS A WHOLE DIFFERENT DEAL, JASON. 736 00:33:13,900 --> 00:33:16,160 SO WHO’S SAYING THEY SAW ME? 737 00:33:16,200 --> 00:33:18,030 THEY GOT MULTIPLE WITNESSES. 738 00:33:18,070 --> 00:33:21,770 LOOK, THIS IS MY LUCK LATELY. 739 00:33:21,810 --> 00:33:23,950 THAT’S ON A SERIOUS DOWNTURN, MAN. 740 00:33:23,980 --> 00:33:26,590 SERIOUS. YOU KNOW WHEN IT STARTED? 741 00:33:26,610 --> 00:33:29,610 I WAS IN ATLANTIC CITY TWO WEEKS AGO, ROLLING CRAPS. 742 00:33:29,650 --> 00:33:32,050 ALL THE NUMBERS COVERED, FULL ODDS ON EVERY ONE OF THEM, 743 00:33:32,080 --> 00:33:34,880 2 GRAND BEHIND THE POINT ‐‐ KNOW WHAT I DID? 744 00:33:34,920 --> 00:33:37,450 I ROLLED ONE OF THE DICE OFF THE TABLE. 745 00:33:37,490 --> 00:33:38,790 YOU WHAT THAT MEANS? 746 00:33:38,820 --> 00:33:40,460 YOUR NEXT ROLL’S A SEVEN. 747 00:33:40,490 --> 00:33:43,730 EVERY TIME, AND MY LUCK’S BEEN 748 00:33:43,760 --> 00:33:45,890 ON A SERIOUS DOWNTURN EVER SINCE. 749 00:33:45,930 --> 00:33:47,730 WELL, DON’T MAKE IT WORSE BY CLAMMING UP 750 00:33:47,770 --> 00:33:50,410 AND NOT EXPLAINING HOW THIS WAS A ROBBERY THAT WENT BAD. 751 00:33:50,430 --> 00:33:52,470 YOU CLAM UP, THE D. A. WILL MAKE IT LOOK 752 00:33:52,500 --> 00:33:54,400 LIKE YOU WANTED TO KILL THAT GUY. 753 00:33:54,440 --> 00:33:56,570 LET US HELP YOU WITH YOUR STATEMENT, JASON. 754 00:33:56,610 --> 00:33:58,470 WE KNOW THE RIGHT THINGS TO SAY, 755 00:33:58,510 --> 00:34:00,610 THE THINGS THE JUDGES WANT TO HEAR. 756 00:34:02,910 --> 00:34:05,050 YOU KNOW WHAT? 757 00:34:05,080 --> 00:34:06,880 THERE ARE INTANGIBLES OUT THERE 758 00:34:06,920 --> 00:34:09,380 THAT HAVE ALWAYS GUIDED ME ALONG, 759 00:34:09,420 --> 00:34:12,990 AND I APPRECIATE YOU GUYS’ ADVICE, BUT, UH, 760 00:34:13,020 --> 00:34:15,660 I’M GOING TO PUT MY FAITH IN THOSE INTANGIBLES AND... 761 00:34:15,690 --> 00:34:18,490 [ Whispers ] JUST KEEP MY MOUTH SHUT. 762 00:34:18,530 --> 00:34:20,330 YOU KNOW WHAT I MEAN? 763 00:34:21,700 --> 00:34:23,630 YOU’RE MAKING A MISTAKE. 764 00:34:23,670 --> 00:34:26,600 YEAH, I’VE MADE THEM BEFORE. 765 00:34:46,290 --> 00:34:48,760 McDOWELL, RUSSELL ‐‐ FROM THE 15th. 766 00:34:48,790 --> 00:34:49,690 OVER THERE. 767 00:34:58,400 --> 00:35:00,770 DO YOU KNOW HER? 768 00:35:00,810 --> 00:35:03,010 YEAH. 769 00:35:03,040 --> 00:35:06,010 YOU HAVE ANYBODY FOR THIS? 770 00:35:06,040 --> 00:35:07,480 NO. 771 00:35:07,510 --> 00:35:09,480 ANY WITNESSES? 772 00:35:09,510 --> 00:35:11,710 NO. THIS IS A SERIOUS DRUG LOCATION, THOUGH. 773 00:35:11,750 --> 00:35:13,880 I GOT SOME PEOPLE I COULD TALK TO. 774 00:35:13,920 --> 00:35:16,150 SHE MUST HAVE PANICKED, WENT OUT LOOKING TO COP, 775 00:35:16,190 --> 00:35:17,660 AND THEY FOUND HER. 776 00:35:17,690 --> 00:35:18,850 WHO’S "THEY"? 777 00:35:18,890 --> 00:35:21,060 SHE WAS SUPPOSED TO TESTIFY TODAY 778 00:35:21,090 --> 00:35:22,890 AGAINST A HIGH‐PROFILE DEALER, 779 00:35:22,930 --> 00:35:24,740 BILLY "FAT CAT" RICHARDS. 780 00:35:24,760 --> 00:35:27,230 SO NO CHANCE THIS WASN’T JUST A DRUG DEAL GONE BAD. 781 00:35:27,270 --> 00:35:29,370 YOU’RE GOING TO WANT TO LOOK INTO THIS FAT CAT RICHARDS 782 00:35:29,400 --> 00:35:32,030 AND WHO HE’S GOT WORKING FOR HIM ON THE STREET. 783 00:35:32,070 --> 00:35:33,530 SURE. 784 00:35:35,570 --> 00:35:38,110 I’LL NOTIFY HER SISTER. 785 00:35:44,680 --> 00:35:46,310 IS IT TISHA? 786 00:35:46,350 --> 00:35:47,520 YEAH. 787 00:35:47,550 --> 00:35:49,850 I’M SORRY. 788 00:35:49,890 --> 00:35:52,220 YEAH, SO ARE WE. 789 00:36:04,770 --> 00:36:06,370 HOW DID IT GO? 790 00:36:06,400 --> 00:36:08,370 FULL STEAM AHEAD. 791 00:36:08,410 --> 00:36:10,380 DID HE ADMIT TO IT? 792 00:36:10,410 --> 00:36:11,540 NOT YET. 793 00:36:11,580 --> 00:36:12,850 HE WILL, THOUGH. 794 00:36:12,880 --> 00:36:14,520 BUT I ‐‐ I COULD GO? 795 00:36:14,550 --> 00:36:15,690 ABSOLUTELY. 796 00:36:15,710 --> 00:36:17,880 YOU REALLY STEPPED UP, AND WE APPRECIATE IT. 797 00:36:17,920 --> 00:36:20,590 AND WHERE WE’RE AT NOW IS, AHEM, 798 00:36:20,620 --> 00:36:21,920 WE HAVE 72 HOURS 799 00:36:21,950 --> 00:36:24,250 TO EITHER HAVE A HEARING IN CRIMINAL COURT 800 00:36:24,290 --> 00:36:27,220 OR BYPASS THAT AND GO BEFORE THE GRAND JURY. 801 00:36:27,260 --> 00:36:29,560 YOU ONLY GO BEFORE THE GRAND JURY 802 00:36:29,590 --> 00:36:31,890 IF YOU HAVE STRONG EVIDENCE, AND LET ME TELL YOU, 803 00:36:31,930 --> 00:36:34,230 WE’RE GOING STRAIGHT THERE TOMORROW. 804 00:36:34,270 --> 00:36:36,580 WELL, GOOD LUCK. 805 00:36:36,600 --> 00:36:38,970 AND WE’RE GOING TO NEED YOU THERE. 806 00:36:41,770 --> 00:36:43,570 WHAT FOR? 807 00:36:43,610 --> 00:36:45,570 TO TESTIFY WHAT YOU SAW. 808 00:36:45,610 --> 00:36:48,240 WON’T TAKE LONG AT ALL. THE SHOOTER WON’T BE THERE. 809 00:36:48,280 --> 00:36:50,710 HIS LAWYERS WON’T BE THERE. JUST YOU AND THE GRAND JURY. 810 00:36:50,750 --> 00:36:52,210 AND LET ME TELL YOU, 811 00:36:52,250 --> 00:36:54,580 ONCE THIS GUY KNOWS THAT HE’S BEEN INDICTED 812 00:36:54,620 --> 00:36:56,420 WITH A FELONY IN SUPREME COURT, 813 00:36:56,450 --> 00:36:57,890 HE’LL PLEAD OUT. 814 00:36:57,920 --> 00:36:59,390 WHAT IF HE DOESN’T? 815 00:36:59,420 --> 00:37:01,420 HE’LL ‐‐ HE’LL PLEAD OUT. DON’T WORRY ABOUT THAT. 816 00:37:01,460 --> 00:37:03,930 I’VE BEEN DOING THIS FOR 22 YEARS AND THIS GUY ‐‐ 817 00:37:03,960 --> 00:37:04,990 HE’LL PLEAD. 818 00:37:05,030 --> 00:37:07,800 BUT... WHAT IF HE DOESN’T? 819 00:37:07,830 --> 00:37:10,230 THEN WE GO FORWARD. 820 00:37:10,270 --> 00:37:12,730 GO FORWARD, LIKE ‐‐ LIKE WHAT? 821 00:37:12,770 --> 00:37:14,570 LIKE TAKE THIS TO TRIAL. 822 00:37:14,610 --> 00:37:16,650 AND ‐‐ AND I HAVE TO TESTIFY? 823 00:37:16,680 --> 00:37:17,820 THAT’S A POSSIBILITY. 824 00:37:17,840 --> 00:37:18,970 YES OR NO! 825 00:37:19,010 --> 00:37:23,010 CAN YOU PLEASE, PLEASE, 826 00:37:23,050 --> 00:37:25,360 JUST GIVE ME A STRAIGHT ANSWER? 827 00:37:25,380 --> 00:37:28,320 IF IT WENT TO TRIAL, YES, YOU’D HAVE TO TESTIFY. 828 00:37:32,660 --> 00:37:35,030 HE PUSHED THE GUN BARREL INTO MY FOREHEAD. 829 00:37:35,060 --> 00:37:36,760 HE LOOKED ME IN THE EYE 830 00:37:36,800 --> 00:37:39,640 AND SAID HE WOULD KILL ME IF I EVER SAID ANYTHING. 831 00:37:41,470 --> 00:37:45,480 MOLLY, HE’S A COWARD AND A LONER 832 00:37:45,500 --> 00:37:47,700 WITH NO FRIENDS OUT ON THE STREET, 833 00:37:47,740 --> 00:37:49,710 AND HE’S GOING AWAY TO PRISON 834 00:37:49,740 --> 00:37:53,010 FOR A LONG, LONG TIME NO MATTER WHAT. 835 00:37:53,040 --> 00:37:56,040 DON’T LET HIM GET INTO YOUR HEAD. 836 00:37:56,080 --> 00:37:58,050 IF YOU WANT, WE CAN PUT YOU 837 00:37:58,080 --> 00:37:59,950 IN A HOTEL TONIGHT UNTIL YOU TESTIFY TOMORROW. 838 00:37:59,980 --> 00:38:01,620 DO I NEED TO? 839 00:38:01,650 --> 00:38:04,120 WE DON’T FEEL YOU DO. I’M JUST SAYING 840 00:38:04,160 --> 00:38:07,230 IF IT WOULD MAKE YOU FEEL BETTER. 841 00:38:07,260 --> 00:38:09,730 I JUST WANT TO GO HOME. 842 00:38:09,760 --> 00:38:12,360 COME ON. WE’LL GET YOU THERE. 843 00:38:23,880 --> 00:38:25,280 [ KNOCK ON DOOR ] 844 00:38:31,720 --> 00:38:32,690 HEY. 845 00:38:32,720 --> 00:38:34,930 HEY. 846 00:38:34,950 --> 00:38:38,590 YOU, UH, COME BY TO CHECK UP ON ME? 847 00:38:40,960 --> 00:38:43,360 YEAH. 848 00:38:43,390 --> 00:38:44,660 I APPRECIATE IT. 849 00:38:44,700 --> 00:38:46,670 WELL, HOW ARE YOU HOLDING UP? 850 00:38:46,700 --> 00:38:48,830 I’M REALLY NOT UP FOR TALKING ABOUT IT. 851 00:38:48,870 --> 00:38:50,440 I’M SORRY, BUT... 852 00:38:50,470 --> 00:38:52,930 IT WAS SWEET OF YOU TO COME BY. 853 00:38:52,970 --> 00:38:54,940 VALERIE, I ‐‐ 854 00:38:54,970 --> 00:38:57,440 I KNOW YOU DON’T LIKE TALKING ABOUT WORK, 855 00:38:57,480 --> 00:38:59,690 BUT YOU CAN’T SECTION OFF YOUR LIFE LIKE THIS. 856 00:38:59,710 --> 00:39:01,440 YOU’D RUN YOURSELF INTO THE GROUND 857 00:39:01,480 --> 00:39:03,410 TRYING TO HOLD UP THE WALLS. 858 00:39:05,650 --> 00:39:08,880 I’M HERE, OKAY? 859 00:39:08,920 --> 00:39:11,390 FOR YOU, AND ONE OF THE BENEFITS 860 00:39:11,420 --> 00:39:13,220 OF HAVING SOMEONE IN YOUR LIFE IS 861 00:39:13,260 --> 00:39:16,800 BEING ABLE TO LEAN ON THEM WHEN YOU NEED TO. 862 00:39:16,830 --> 00:39:19,390 HEY, DON’T BE STUBBORN. 863 00:39:19,430 --> 00:39:21,900 LET ME BE HERE FOR YOU. 864 00:39:28,970 --> 00:39:31,470 FOOD POISONING ‐‐ THAT SNAKE DEFENSE ATTORNEY. 865 00:39:31,510 --> 00:39:33,470 THEY KNEW SHE WAS A SQUIRRELLY WITNESS, 866 00:39:33,510 --> 00:39:35,140 AND I SHOULD HAVE SEEN THAT MOVE COMING. 867 00:39:35,180 --> 00:39:37,280 NOTHING YOU COULD HAVE DONE DIFFERENT. I COULD HAVE WARNED HER 868 00:39:37,320 --> 00:39:39,260 THAT IT MIGHT TAKE A FEW DAYS. 869 00:39:39,280 --> 00:39:41,250 INSTEAD, I HAD IT IN HER HEAD 870 00:39:41,290 --> 00:39:43,090 THAT SHE’D BE IN AND OUT TODAY. 871 00:39:43,120 --> 00:39:44,920 I COULD HAVE DEALT THIS THING 872 00:39:44,960 --> 00:39:47,930 SO THAT WE WOULDN’T EVEN HAVE TO GO BACK TO TRIAL. 873 00:39:47,960 --> 00:39:50,560 VALERIE... 874 00:39:50,600 --> 00:39:52,570 THIS GUY’S A KILLER 875 00:39:52,600 --> 00:39:54,410 WHO SHOULD HAVE GOT THE NEEDLE. 876 00:39:54,430 --> 00:39:56,770 THERE’S NO WAY YOU WOULD HAVE DEALT THIS DOWN 877 00:39:56,800 --> 00:39:58,430 TO THREE MORE YEARS FOR HIM. 878 00:39:58,470 --> 00:40:00,070 SO QUIT DOING THIS TO YOURSELF. 879 00:40:00,100 --> 00:40:01,270 DIANE AND CONNIE ‐‐ 880 00:40:01,310 --> 00:40:02,780 I DON’T EVEN KNOW WHAT THEY THINK OF ME. 881 00:40:02,810 --> 00:40:05,120 THIS ISN’T YOUR FAULT. THEY’RE NOT BLAMING YOU. 882 00:40:05,140 --> 00:40:07,440 NOW I’M REALLY GOING TO GET THAT SON OF A BITCH. 883 00:40:07,480 --> 00:40:09,110 HE THINKS HE’S GOING TO WALK 884 00:40:09,150 --> 00:40:11,690 BECAUSE HE TOOK OUT A KEY WITNESS? 885 00:40:11,720 --> 00:40:14,030 I’LL INTRODUCE THE TRANSCRIPTS FROM HER PRIOR TESTIMONY 886 00:40:14,050 --> 00:40:16,080 AND I’M GOING TO SHOVE THIS WHOLE THING 887 00:40:16,120 --> 00:40:18,250 BACK DOWN HIS THROAT. FOOD POISONING ‐‐ 888 00:40:18,290 --> 00:40:20,120 HOW COULD I NOT HAVE ANTICIPATED THAT? 889 00:40:20,160 --> 00:40:21,790 OKAY. 890 00:40:21,830 --> 00:40:23,800 GET YOUR JACKET ON. 891 00:40:23,830 --> 00:40:25,630 WE’RE GOING OUT. NO. 892 00:40:25,660 --> 00:40:27,630 COME ON. WE CAN, UH, WE CAN GET A DRINK, 893 00:40:27,670 --> 00:40:29,540 UH, JUST WALK AROUND, WHATEVER, 894 00:40:29,570 --> 00:40:32,000 BUT I’M NOT GOING TO LET YOU STAY HERE 895 00:40:32,040 --> 00:40:34,310 AND KEEP SINKING INTO WHAT YOU COULD’VE DONE 896 00:40:34,340 --> 00:40:36,200 BECAUSE THAT’S NONSENSE. 897 00:40:36,240 --> 00:40:38,770 NOW LET’S GO. 898 00:40:38,810 --> 00:40:41,510 NO. 899 00:40:41,550 --> 00:40:43,350 STAY HERE. 900 00:40:51,920 --> 00:40:54,860 LET’S JUST STAY HERE. 901 00:41:12,910 --> 00:41:14,380 WHERE’S YOUR DOC TONIGHT? 902 00:41:14,410 --> 00:41:16,040 WORKING. 903 00:41:18,380 --> 00:41:21,680 HOW LONG AGO DID YOUR DAD DIE? 904 00:41:21,720 --> 00:41:23,690 FIVE YEARS. 905 00:41:23,720 --> 00:41:24,850 YOUR MOM’S STILL ALIVE? 906 00:41:24,890 --> 00:41:25,920 YEAH. 907 00:41:25,960 --> 00:41:27,200 HOW’S SHE DOING? 908 00:41:27,230 --> 00:41:29,030 ALL RIGHT. 909 00:41:29,060 --> 00:41:32,030 ONE OF THE REASONS I TOOK A LEAVE WAS 910 00:41:32,060 --> 00:41:34,160 BECAUSE SHE DIDN’T EVEN KNOW HOW TO BALANCE A CHECKBOOK. 911 00:41:34,200 --> 00:41:35,600 MY DAD TOOK CARE OF EVERYTHING. 912 00:41:35,630 --> 00:41:37,200 WERE YOU CLOSE WITH YOUR DAD? 913 00:41:37,240 --> 00:41:39,440 WE DIDN’T TALK FOR A LONG TIME, ACTUALLY. 914 00:41:39,470 --> 00:41:41,940 WE HAD JUST STARTED AGAIN WHEN HE DIED 915 00:41:41,970 --> 00:41:44,610 AND, UH, THAT’S A REGRET. 916 00:41:44,640 --> 00:41:46,110 WHAT HAPPENED ‐‐ 917 00:41:46,140 --> 00:41:48,040 IF YOU DON’T MIND MY ASKING? 918 00:41:48,080 --> 00:41:49,950 WHEN I WAS 16, I GOT PREGNANT. 919 00:41:49,980 --> 00:41:51,950 I DIDN’T SHOW FOR A WHILE 920 00:41:51,980 --> 00:41:53,550 AND I WAS SCARED AND IN DENIAL. 921 00:41:53,590 --> 00:41:55,460 I DIDN’T COME TO MY MOM ABOUT IT 922 00:41:55,490 --> 00:41:56,960 TILL I WAS FOUR MONTHS ALONG, 923 00:41:56,990 --> 00:41:59,390 AND, YOU KNOW, SHE WENT TO MY DAD, 924 00:41:59,420 --> 00:42:01,220 WHICH I DIDN’T WANT HER TO DO, 925 00:42:01,260 --> 00:42:05,730 AND MY DAD TOOK CHARGE, OF COURSE, AND... 926 00:42:05,760 --> 00:42:08,230 WE WENT THE ADOPTION ROUTE, 927 00:42:08,270 --> 00:42:11,040 AND THAT CAUSED A BIG RIFT FOR ‐‐ FOR A LONG TIME. 928 00:42:11,070 --> 00:42:12,870 HOW OLD IS THE, UH... 929 00:42:12,900 --> 00:42:14,370 GIRL. GIRL? 930 00:42:14,410 --> 00:42:15,750 YEAH. 931 00:42:15,770 --> 00:42:17,240 15. 932 00:42:17,280 --> 00:42:19,990 YOU KNOW WHERE SHE LIVES? 933 00:42:20,010 --> 00:42:22,440 I DUG INTO IT. MAYBE I SHOULDN’T HAVE. 934 00:42:22,480 --> 00:42:24,910 I MEAN, I HAVEN’T CONTACTED HER 935 00:42:24,950 --> 00:42:26,920 OR INTRUDED OR ANYTHING LIKE THAT, 936 00:42:26,950 --> 00:42:30,090 BUT...I KNOW WHERE SHE IS. 937 00:42:30,120 --> 00:42:31,590 DOES THAT MAKE IT HARDER? 938 00:42:31,620 --> 00:42:33,760 I JUST THINK NOW, AT 15, 939 00:42:33,790 --> 00:42:36,760 ALL THE THINGS I WISH SOMEONE WOULD HAVE TOLD ME 940 00:42:36,800 --> 00:42:40,770 I COULD SHARE WITH HER, 941 00:42:40,800 --> 00:42:43,670 BUT I’M ‐‐ I’M SURE 942 00:42:43,700 --> 00:42:45,770 HER ADOPTIVE MOM IS THERE FOR HER. 943 00:42:45,800 --> 00:42:48,770 I MEAN, I’M SURE SHE’S FINE. 944 00:42:48,810 --> 00:42:51,950 ANYWAYS, UM...HA HA. 945 00:42:51,980 --> 00:42:55,020 A‐ARE WE ‐‐ ARE WE COMING UP WITH OUR WORST MEMORIES 946 00:42:55,050 --> 00:42:57,160 TO TRY AND TOP WHAT HAPPENED TODAY 947 00:42:57,180 --> 00:42:59,480 SO WE DON’T FEEL SO BAD OR... 948 00:42:59,520 --> 00:43:00,990 MAYBE. 949 00:43:01,020 --> 00:43:05,290 WELL, IT’S NOT WORKING. 950 00:43:05,320 --> 00:43:07,460 UH, THE ADOPTION THING ‐‐ 951 00:43:07,490 --> 00:43:09,790 WHATEVER WE’VE TOLD EACH OTHER TODAY 952 00:43:09,830 --> 00:43:11,960 STAYS BETWEEN US. 953 00:43:15,200 --> 00:43:18,300 WOULD HAVE BEEN NICE TO WORK WITH YOU MORE. 954 00:43:18,340 --> 00:43:20,630 LET’S KEEP IN TOUCH EITHER WAY, ALL RIGHT? 955 00:43:20,660 --> 00:43:23,160 I’D LIKE THAT.